Vincent Persichetti: Grazioso, Grit, and Gold is the first critical biography of the esteemed American composer, bringing together scholarly work and short contributed essays of prominent performers. Andrea Olmstead weaves a captivating narrative of the composer from his early life to his musical activities at Juilliard and death in 1987.
Vincent Persichetti: Grazioso, Grit, and Gold is the first critical biography of the esteemed American composer, bringing together scholarly work and short contributed essays of prominent performers. Andrea Olmstead weaves a captivating narrative of the composer from his early life to his musical activities at Juilliard and death in 1987.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Table of Contents List of Illustrations Acknowledgements Introduction Part I: 1915-1939 Chapter 1: Early Life and Musical Training Chapter 2: The Combs Conservatory Chapter 3: Persichetti as a Student Chapter 4: Arch Street Church and the Silent Year Chapter 5: The Philadelphia Conservatory of Music and Paul Nordoff Chapter 6: Olga Samaroff Chapter 7: The Philadelphia Orchestra, Stokowski, Ormandy Chapter 8: Curtis Institute and Reiner Chapter 9: The "Silent" Decade Part II: 1938-1962 Chapter 10: Dorothy from Kansas Chapter 11: Music in 1939 and 1940 Chapter 12: 1941-1943 Chapter 13: Roy Harris Chapter 14: The Philadelphia Conservatory and a Trial Chapter 15: William Schuman and Juilliard Chapter 16: Choral Settings of E. E. Cummings Chapter 17: The Piano Sonata Period Chapter 18: Divertimento for Band Chapter 19: Harmonium Chapter 20: 1952-1953 Chapter 21: The Schuman Book Chapter 22: Hymns and Responses for the Church Year Chapter 23: Symphony for Band Chapter 24: The Year of the Song Chapter 25: Seventh Symphony Chapter 26: Mass Chapter 27: Twentieth-Century Harmony Part III: 1962-1987 Chapter 28: Peter Mennin and Lincoln Center Chapter 29: Religious Music Chapter 30: Masquerade Chapter 31: The Choral(e) Years, 1966-1969 Chapter 32: The Creation Chapter 33: Ninth Symphony Chapter 34: Parables Chapter 35: A Lincoln Address Chapter 36: More Parables Chapter 37: The Sibyl Chapter 38: English Horn Concerto Chapter 39: Mirror Music Chapter 40: The Harpsichord Period Chapter 41: 1985-1987 Chapter 42: Death and Posthumous Reputation Notes Bibliography Index of Works Index About the Author
Table of Contents List of Illustrations Acknowledgements Introduction Part I: 1915-1939 Chapter 1: Early Life and Musical Training Chapter 2: The Combs Conservatory Chapter 3: Persichetti as a Student Chapter 4: Arch Street Church and the Silent Year Chapter 5: The Philadelphia Conservatory of Music and Paul Nordoff Chapter 6: Olga Samaroff Chapter 7: The Philadelphia Orchestra, Stokowski, Ormandy Chapter 8: Curtis Institute and Reiner Chapter 9: The "Silent" Decade Part II: 1938-1962 Chapter 10: Dorothy from Kansas Chapter 11: Music in 1939 and 1940 Chapter 12: 1941-1943 Chapter 13: Roy Harris Chapter 14: The Philadelphia Conservatory and a Trial Chapter 15: William Schuman and Juilliard Chapter 16: Choral Settings of E. E. Cummings Chapter 17: The Piano Sonata Period Chapter 18: Divertimento for Band Chapter 19: Harmonium Chapter 20: 1952-1953 Chapter 21: The Schuman Book Chapter 22: Hymns and Responses for the Church Year Chapter 23: Symphony for Band Chapter 24: The Year of the Song Chapter 25: Seventh Symphony Chapter 26: Mass Chapter 27: Twentieth-Century Harmony Part III: 1962-1987 Chapter 28: Peter Mennin and Lincoln Center Chapter 29: Religious Music Chapter 30: Masquerade Chapter 31: The Choral(e) Years, 1966-1969 Chapter 32: The Creation Chapter 33: Ninth Symphony Chapter 34: Parables Chapter 35: A Lincoln Address Chapter 36: More Parables Chapter 37: The Sibyl Chapter 38: English Horn Concerto Chapter 39: Mirror Music Chapter 40: The Harpsichord Period Chapter 41: 1985-1987 Chapter 42: Death and Posthumous Reputation Notes Bibliography Index of Works Index About the Author
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