Vinyl Records and Analog Culture in the Digital Age examines music technologies from a popular culture studies perspective, taking into consideration the ways in which human beings bring these technologies into their lives and the discursive practices they create.
Vinyl Records and Analog Culture in the Digital Age examines music technologies from a popular culture studies perspective, taking into consideration the ways in which human beings bring these technologies into their lives and the discursive practices they create.
Paul E. Winters is professor of liberal arts and sciences at DeVry University
Inhaltsangabe
Cueing Up 1."Dog's Don't Listen to Phonographs:" Nipper, "His Master's Voice," and the Discourse of "Fidelity" 2.The Beatles on iTunes and Vinyl Reissue: Aesthetic Discourse and the Listening Subject 3.Virtual Authenticity: The Return of Vinyl in the Digital Age 4.Criminal Records: Record Collecting as Counter-Discourse 5."Cabinets of Wonder" or "Coffins of Disuse?" Reissues, Box Sets, and Commodity Fetishism 6."You Spin Me Round (Like A Record):" Analog Audiophilia As Disciplinary Mechanism 7."The Vinyl Anachronist:" The Role of Social Media in the Formation of Communities of Vinyl The Run-out Groove
Cueing Up 1."Dog's Don't Listen to Phonographs:" Nipper, "His Master's Voice," and the Discourse of "Fidelity" 2.The Beatles on iTunes and Vinyl Reissue: Aesthetic Discourse and the Listening Subject 3.Virtual Authenticity: The Return of Vinyl in the Digital Age 4.Criminal Records: Record Collecting as Counter-Discourse 5."Cabinets of Wonder" or "Coffins of Disuse?" Reissues, Box Sets, and Commodity Fetishism 6."You Spin Me Round (Like A Record):" Analog Audiophilia As Disciplinary Mechanism 7."The Vinyl Anachronist:" The Role of Social Media in the Formation of Communities of Vinyl The Run-out Groove
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