Violence Elsewhere 1
Imagining Distant Violence in Germany 1945-2001
Herausgeber: Bielby, Clare; Davies, Mererid Puw
Violence Elsewhere 1
Imagining Distant Violence in Germany 1945-2001
Herausgeber: Bielby, Clare; Davies, Mererid Puw
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Explores the significance of postwar German representations of violence in other places and times.
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Explores the significance of postwar German representations of violence in other places and times.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 238
- Erscheinungstermin: 19. März 2024
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 322g
- ISBN-13: 9781640142169
- ISBN-10: 1640142169
- Artikelnr.: 71879753
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Boydell & Brewer
- Seitenzahl: 238
- Erscheinungstermin: 19. März 2024
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 322g
- ISBN-13: 9781640142169
- ISBN-10: 1640142169
- Artikelnr.: 71879753
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Edited by Clare Bielby and Mererid Puw Davies
List of Illustrations Acknowledgments Introduction - Clare Bielby and
Mererid Puw Davies 1. Projecting Violence Elsewhere: Remembering
Conflict-Related Sexual Violence in Cold War Germany - Katherine Stone 2.
Watching Violence Elsewhere: Louis Malle's Viva Maria! in 1960s West
Germany - Mererid Puw Davies 3. Images as Weapons: DEFA, Studio H&S, and
the Global Cold War - Seán Allan 4. KriegsErklärung (Declaration of War):
Volker Braun's Cold War Camera - J. J. Long 5. The Vietnam Veteran in Anna
Seghers's Steinzeit (Stone Age, 1975) - Ernest Schonfield 6. "So It Has to
Be Said: Hammer and Sickle Here, Hammer and Sickle There":
Heynowski-Scheumann's Die Angkar (1981) and the Problem of Khmer Rouge
Violence for the GDR - Martin Brady 7. Narrating Violent Agency Elsewhere
in Inge Viett's Nie war ich furchtloser (Never Was I More Fearless, 1996) -
Clare Bielby 8. Problematizing Political Violence in the Federal Republic
of Germany: A Hauntological Analysis of the NSU Terror and a
Hyper-Exceptionalized "9/11" - Katharina Karcher and Evelien Geerts
Selected Bibliography Notes on the Contributors Index
Mererid Puw Davies 1. Projecting Violence Elsewhere: Remembering
Conflict-Related Sexual Violence in Cold War Germany - Katherine Stone 2.
Watching Violence Elsewhere: Louis Malle's Viva Maria! in 1960s West
Germany - Mererid Puw Davies 3. Images as Weapons: DEFA, Studio H&S, and
the Global Cold War - Seán Allan 4. KriegsErklärung (Declaration of War):
Volker Braun's Cold War Camera - J. J. Long 5. The Vietnam Veteran in Anna
Seghers's Steinzeit (Stone Age, 1975) - Ernest Schonfield 6. "So It Has to
Be Said: Hammer and Sickle Here, Hammer and Sickle There":
Heynowski-Scheumann's Die Angkar (1981) and the Problem of Khmer Rouge
Violence for the GDR - Martin Brady 7. Narrating Violent Agency Elsewhere
in Inge Viett's Nie war ich furchtloser (Never Was I More Fearless, 1996) -
Clare Bielby 8. Problematizing Political Violence in the Federal Republic
of Germany: A Hauntological Analysis of the NSU Terror and a
Hyper-Exceptionalized "9/11" - Katharina Karcher and Evelien Geerts
Selected Bibliography Notes on the Contributors Index
List of Illustrations Acknowledgments Introduction - Clare Bielby and
Mererid Puw Davies 1. Projecting Violence Elsewhere: Remembering
Conflict-Related Sexual Violence in Cold War Germany - Katherine Stone 2.
Watching Violence Elsewhere: Louis Malle's Viva Maria! in 1960s West
Germany - Mererid Puw Davies 3. Images as Weapons: DEFA, Studio H&S, and
the Global Cold War - Seán Allan 4. KriegsErklärung (Declaration of War):
Volker Braun's Cold War Camera - J. J. Long 5. The Vietnam Veteran in Anna
Seghers's Steinzeit (Stone Age, 1975) - Ernest Schonfield 6. "So It Has to
Be Said: Hammer and Sickle Here, Hammer and Sickle There":
Heynowski-Scheumann's Die Angkar (1981) and the Problem of Khmer Rouge
Violence for the GDR - Martin Brady 7. Narrating Violent Agency Elsewhere
in Inge Viett's Nie war ich furchtloser (Never Was I More Fearless, 1996) -
Clare Bielby 8. Problematizing Political Violence in the Federal Republic
of Germany: A Hauntological Analysis of the NSU Terror and a
Hyper-Exceptionalized "9/11" - Katharina Karcher and Evelien Geerts
Selected Bibliography Notes on the Contributors Index
Mererid Puw Davies 1. Projecting Violence Elsewhere: Remembering
Conflict-Related Sexual Violence in Cold War Germany - Katherine Stone 2.
Watching Violence Elsewhere: Louis Malle's Viva Maria! in 1960s West
Germany - Mererid Puw Davies 3. Images as Weapons: DEFA, Studio H&S, and
the Global Cold War - Seán Allan 4. KriegsErklärung (Declaration of War):
Volker Braun's Cold War Camera - J. J. Long 5. The Vietnam Veteran in Anna
Seghers's Steinzeit (Stone Age, 1975) - Ernest Schonfield 6. "So It Has to
Be Said: Hammer and Sickle Here, Hammer and Sickle There":
Heynowski-Scheumann's Die Angkar (1981) and the Problem of Khmer Rouge
Violence for the GDR - Martin Brady 7. Narrating Violent Agency Elsewhere
in Inge Viett's Nie war ich furchtloser (Never Was I More Fearless, 1996) -
Clare Bielby 8. Problematizing Political Violence in the Federal Republic
of Germany: A Hauntological Analysis of the NSU Terror and a
Hyper-Exceptionalized "9/11" - Katharina Karcher and Evelien Geerts
Selected Bibliography Notes on the Contributors Index