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Violentologies explores how different forms of violence shape identity and political vision in both familiar and unexpected ways using Latina/o writers and performers as case-studies.
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Violentologies explores how different forms of violence shape identity and political vision in both familiar and unexpected ways using Latina/o writers and performers as case-studies.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press (UK)
- Seitenzahl: 408
- Erscheinungstermin: 5. März 2021
- Englisch
- Abmessung: 239mm x 160mm x 33mm
- Gewicht: 975g
- ISBN-13: 9780198863090
- ISBN-10: 0198863098
- Artikelnr.: 60868107
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Oxford University Press (UK)
- Seitenzahl: 408
- Erscheinungstermin: 5. März 2021
- Englisch
- Abmessung: 239mm x 160mm x 33mm
- Gewicht: 975g
- ISBN-13: 9780198863090
- ISBN-10: 0198863098
- Artikelnr.: 60868107
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
B. V. Olguín is the Robert and Liisa Erickson Presidential Chair in English, and Director of the Global Latinidades Project, at the University of California, Santa Barbara. He received his Ph.D. from Stanford University, and is a Ford Postdoctoral Fellow, and National Endowment for the Humanities Faculty Research Fellow. He previously served on English Department faculties at Cornell University and the University of Texas at San Antonio, with visiting appointments in the Center for Mexican American Studies at the University of Texas at Austin. Olguín is the author of La Pinta: Chicana/o History, Culture, and Politics (University of Texas Press, 2010).
* Preface * From Fort Knox
Kentucky to Havana
Cuba: Testimonial Reflections on Race
War
and Revolution * Introduction * Violentologies: Violence
Ideology
and Supra-Latina/o Ontologies * Part I: Warfare and Latina/o Archetypes * 1: Caballeros and Indians: Land
War
and the Indian Question in Latina/o Autobiography
Historical Fiction
and Popular Culture * 2: Macho Man: Homosocial Soldiering and Ideological Dissensus in Mexican American WWII Memoir
Theater
and Film * Part II: Violence and the Global Latinidades * 3: Latina/o-Asian Encounters: Transversal Syntheses in Asia
the "Orient
" and the Ummah in Latina/o Wartime Narrative
Travelogue
Spoken Word
and Hip Hop * 4: Violence and the TransNational Question: Regionalism
Nationalism
and Internationalism in Latina/o War Literature * 5: Militarized Mestizajes: Combat
Transculturation
and Imperialism in Latina/o Life Writing from the War on Terror * Conclusion * The Latinx Mixtape: Violentologies
the End of Latina/o Studies
and Post-Latina/o Futures
Kentucky to Havana
Cuba: Testimonial Reflections on Race
War
and Revolution * Introduction * Violentologies: Violence
Ideology
and Supra-Latina/o Ontologies * Part I: Warfare and Latina/o Archetypes * 1: Caballeros and Indians: Land
War
and the Indian Question in Latina/o Autobiography
Historical Fiction
and Popular Culture * 2: Macho Man: Homosocial Soldiering and Ideological Dissensus in Mexican American WWII Memoir
Theater
and Film * Part II: Violence and the Global Latinidades * 3: Latina/o-Asian Encounters: Transversal Syntheses in Asia
the "Orient
" and the Ummah in Latina/o Wartime Narrative
Travelogue
Spoken Word
and Hip Hop * 4: Violence and the TransNational Question: Regionalism
Nationalism
and Internationalism in Latina/o War Literature * 5: Militarized Mestizajes: Combat
Transculturation
and Imperialism in Latina/o Life Writing from the War on Terror * Conclusion * The Latinx Mixtape: Violentologies
the End of Latina/o Studies
and Post-Latina/o Futures
* Preface * From Fort Knox
Kentucky to Havana
Cuba: Testimonial Reflections on Race
War
and Revolution * Introduction * Violentologies: Violence
Ideology
and Supra-Latina/o Ontologies * Part I: Warfare and Latina/o Archetypes * 1: Caballeros and Indians: Land
War
and the Indian Question in Latina/o Autobiography
Historical Fiction
and Popular Culture * 2: Macho Man: Homosocial Soldiering and Ideological Dissensus in Mexican American WWII Memoir
Theater
and Film * Part II: Violence and the Global Latinidades * 3: Latina/o-Asian Encounters: Transversal Syntheses in Asia
the "Orient
" and the Ummah in Latina/o Wartime Narrative
Travelogue
Spoken Word
and Hip Hop * 4: Violence and the TransNational Question: Regionalism
Nationalism
and Internationalism in Latina/o War Literature * 5: Militarized Mestizajes: Combat
Transculturation
and Imperialism in Latina/o Life Writing from the War on Terror * Conclusion * The Latinx Mixtape: Violentologies
the End of Latina/o Studies
and Post-Latina/o Futures
Kentucky to Havana
Cuba: Testimonial Reflections on Race
War
and Revolution * Introduction * Violentologies: Violence
Ideology
and Supra-Latina/o Ontologies * Part I: Warfare and Latina/o Archetypes * 1: Caballeros and Indians: Land
War
and the Indian Question in Latina/o Autobiography
Historical Fiction
and Popular Culture * 2: Macho Man: Homosocial Soldiering and Ideological Dissensus in Mexican American WWII Memoir
Theater
and Film * Part II: Violence and the Global Latinidades * 3: Latina/o-Asian Encounters: Transversal Syntheses in Asia
the "Orient
" and the Ummah in Latina/o Wartime Narrative
Travelogue
Spoken Word
and Hip Hop * 4: Violence and the TransNational Question: Regionalism
Nationalism
and Internationalism in Latina/o War Literature * 5: Militarized Mestizajes: Combat
Transculturation
and Imperialism in Latina/o Life Writing from the War on Terror * Conclusion * The Latinx Mixtape: Violentologies
the End of Latina/o Studies
and Post-Latina/o Futures