A historical, thematically organised study of the unprecedented growth and popularity of stringed instruments in Britain from the Victorian era to 1930, this book examines the social spread of string playing, its infrastructure and grass-roots activities, and the presence of the violin in the British popular imagination of the time.
A historical, thematically organised study of the unprecedented growth and popularity of stringed instruments in Britain from the Victorian era to 1930, this book examines the social spread of string playing, its infrastructure and grass-roots activities, and the presence of the violin in the British popular imagination of the time.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christina Bashford is Professor of Musicology at the School of Music, University of Illinois. She has published extensively on string quartets and chamber music concerts in Britain and is author of The Pursuit of High Culture: John Ella and Chamber Music in Victorian London (2007).
Inhaltsangabe
Introduction 1. Growth of a culture Part I. People and Practicalities: 2. Starting out: equipment and instruction 3. Moving along: learning and attainment 4. Advanced training 5. Worlds of work 6. Playing together (1): 'Chamber' music 7. Playing together (2): Amateur orchestras Part II. The Conceptual Presence of Strings: 8. The Idea of the violin: associations and allure 9. Sounding the nation(s) Conclusion.
Introduction 1. Growth of a culture Part I. People and Practicalities: 2. Starting out: equipment and instruction 3. Moving along: learning and attainment 4. Advanced training 5. Worlds of work 6. Playing together (1): 'Chamber' music 7. Playing together (2): Amateur orchestras Part II. The Conceptual Presence of Strings: 8. The Idea of the violin: associations and allure 9. Sounding the nation(s) Conclusion.
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