This volume features new essays by eminent and emerging Woolf scholars from around the world, focusing on Virginia Woolf's and Bloomsbury's politics. Themes include war, freedom of the press, economics and cultural production, the Hogarth Press, the global circulation of ideas, and transformations to the public sphere.
This volume features new essays by eminent and emerging Woolf scholars from around the world, focusing on Virginia Woolf's and Bloomsbury's politics. Themes include war, freedom of the press, economics and cultural production, the Hogarth Press, the global circulation of ideas, and transformations to the public sphere.
JUDITH ALLEN Kelly Writers House, University of Pennsylvania, USA GILLIAN BEER King Edward VII Professor of English Literature, University of Cambridge, UK MELBA CUDDY-KEANE Professor of English, University of Toronto, Canada JANE GOLDMAN Reader in English Literature, University of Glasgow, UK CRAUFURD GOODWIN James B. Duke Professor of Economics, Duke University, USA MICHAEL PAYNE Professor of English Emeritus, Bucknell University, USA DREW PATRICK SHANNON Assistant Professor of English, College of Mount St. Joseph, Cincinnati, Ohio, USA BRENDA R. SILVER Mary Brinsmead Wheelock Professor, Dartmouth College, USA KATHRYN SIMPSON Senior Lecturer in English, University of Birmingham, UK ANNA SNAITH Lecturer in English, King's College London, UK ELIZABETH WILLSON GORDON University of Alberta, Canada
Inhaltsangabe
Preface Notes on Contributors List of Abbreviations Woolf in Wartime and Townsend Warner Too; G.Beer Virginia Woolf, 'Patriotism,' and 'our prostituted fact-purveyors'; J.Allen Woolf's Political Aesthetic in 'To Spain,' Three Guineas , and Between the Acts ; M.Payne Who let the dogs out? Samuel Johnson, Thomas Carlyle, Virginia Woolf, and the Little Brown Dog; J.Goldman Virginia Woolf as Policy Analyst; C.Goodwin Unpinning Economies of Desire: Gifts and the Market in 'Moments of Being: 'Slater's Pins Have no Points''; K.Simpson How Should One Sell a Book? Production Methods, Material Objects, and Marketing at the Hogarth Press; E.Willson Gordon 'The Book is Still Warm': The Hogarth Press in the Age of Mechanical Reproduction; D.Patrick Shannon Conversations in Bloomsbury: Colonial Writers and the Hogarth Press; A.Snaith World Modeling: Paradigms of Global Consciousness in and around Virginia Woolf; M.Cuddy-Keane Small Talk/New Networks: Virginia Woolf's Virtual Publics; B.Silver Bibliography Index
Preface Notes on Contributors List of Abbreviations Woolf in Wartime and Townsend Warner Too; G.Beer Virginia Woolf, 'Patriotism,' and 'our prostituted fact-purveyors'; J.Allen Woolf's Political Aesthetic in 'To Spain,' Three Guineas , and Between the Acts ; M.Payne Who let the dogs out? Samuel Johnson, Thomas Carlyle, Virginia Woolf, and the Little Brown Dog; J.Goldman Virginia Woolf as Policy Analyst; C.Goodwin Unpinning Economies of Desire: Gifts and the Market in 'Moments of Being: 'Slater's Pins Have no Points''; K.Simpson How Should One Sell a Book? Production Methods, Material Objects, and Marketing at the Hogarth Press; E.Willson Gordon 'The Book is Still Warm': The Hogarth Press in the Age of Mechanical Reproduction; D.Patrick Shannon Conversations in Bloomsbury: Colonial Writers and the Hogarth Press; A.Snaith World Modeling: Paradigms of Global Consciousness in and around Virginia Woolf; M.Cuddy-Keane Small Talk/New Networks: Virginia Woolf's Virtual Publics; B.Silver Bibliography Index
Rezensionen
"Virginia Woolf's Bloomsbury,Volume 2: International Influence and Politics is well worth the wait-indeed, as rich as the first collection was, this one, though shorter, is equally so, but also more unified and polished. ... The collection presents a nexus of thinking and work across time and topics. With politics as the strand that runs through the book, we have here a rich exploration of essays on aesthetics, war, economics, the Hogarth Press, and globalization." (Jeanne Dubino, Virginia Woolf Miscellany, Issue 94, 2018)
'The openness is generous, and reveals how research ought to be: curious, unafraid to get jammed, thinking its way around obstacles, serendipitous. This is criticism as exploration, undaunted and exhilarating." - Jim Stewart, TLS
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