Andere Kunden interessierten sich auch für
![Virtual Reality Gaming]( "Virtual Reality Gaming")
Virtual Reality Gaming26,00 €![Die Realität. Nur besser? Medien der Virtual Reality]( "Die Realität. Nur besser? Medien der Virtual Reality")
Die Realität. Nur besser? Medien der Virtual Reality47,95 €![Media Literacy and Semiotics]( "Media Literacy and Semiotics")
Media Literacy and Semiotics37,99 €![Chancen und Risiken von Virtual Reality-Konzerten für die Musikindustrie]( "Chancen und Risiken von Virtual Reality-Konzerten für die Musikindustrie")
Chancen und Risiken von Virtual Reality-Konzerten für die Musikindustrie44,99 €![Virtual Reality als innovatives Medium für disruptive Veränderung. Eine ökonomische Analyse am Beispiel der Musik- und Festivalbranche in Deutschland]( "Virtual Reality als innovatives Medium für disruptive Veränderung. Eine ökonomische Analyse am Beispiel der Musik- und Festivalbranche in Deutschland")
Virtual Reality als innovatives Medium für disruptive Veränderung. Eine ökonomische Analyse am Beispiel der Musik- und Festivalbranche in Deutschland47,95 €![Haptik in Virtual Reality]( "Haptik in Virtual Reality")
Haptik in Virtual Reality35,90 €![E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture]( "E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture")
E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture138,99 €
This monograph delves into recent evolutions in virtual reality (VR) storytelling, focusing on entertainment-based works created or launched since 2020. Through various case studies, it showcases the increasing diversity and sophistication of recent narrative-based projects. Moving past the initial hype associated with the latest wave of VR, a number of innovative and affective works combining documentary-based or fictional storytelling with game mechanics, live theatre and other elements, have appeared at festivals or on distribution platforms in recent years. These interdisciplinary works have much to tell us about the future of VR storytelling but have yet to receive sustained analysis. This book aims to correct that.
Dooley argues that VR, as an interactive medium that places the user inside a storyworld in a visible or invisible virtual body, offers narratives that incorporate the user's body as a storytelling tool. This fosters user-centred stories that unfold in three-dimensional space. Adopting phenomenological and formal analysis methodologies, the monograph examines case studies through their approaches to narrative, style, and interactive devices. Key concepts that are explored include agency, direct address, environmental and spatial storytelling, embodiment and presence. By providing a much-needed analysis of works through a variety of theoretical lenses, the book illustrates how recent VR storytelling fosters powerfully transformative experiences.
Dooley argues that VR, as an interactive medium that places the user inside a storyworld in a visible or invisible virtual body, offers narratives that incorporate the user's body as a storytelling tool. This fosters user-centred stories that unfold in three-dimensional space. Adopting phenomenological and formal analysis methodologies, the monograph examines case studies through their approaches to narrative, style, and interactive devices. Key concepts that are explored include agency, direct address, environmental and spatial storytelling, embodiment and presence. By providing a much-needed analysis of works through a variety of theoretical lenses, the book illustrates how recent VR storytelling fosters powerfully transformative experiences.