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The first thorough study of the Italian filmmaker, Luchino Visconti.
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Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 23. November 2002
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 490g
- ISBN-13: 9780521599603
- ISBN-10: 0521599601
- Artikelnr.: 21802986
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 23. November 2002
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 490g
- ISBN-13: 9780521599603
- ISBN-10: 0521599601
- Artikelnr.: 21802986
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
When he was in second grade, Henry Bacon found it quite a chore to read for 20 minutes every day, which was the rule at his elementary school. He wishes there were more books like this one-funny and realistic and not too hard to read. Henry enjoys swimming, telling jokes, and performing on stage.
Introduction
Part I. Visconti and neorealism: 1. Ossessione
2. The background, theory, and practice of neorealism
3. La Terra Trema
4. Bellissima
5. Our Women
Part II. The Risorgimento Films: 6. Senso
7. The Leopard
Part III. The Family and Modern Italian Society: 8. Visconti's two families
9. Rocco and his brothers
10. Sandra
11. The Witch Burned Alive
12. Conversation piece
Part IV. Visconti and Germany: 13. Visconti, Thomas Mann and two aspects of Europe
14. The Job
15. The Damned
16. Death in Venice
17. Ludwig
Part V. Visconti as an interpreter of European literature: 18. Experiencing literature and cinema
19. White Nights
20. The Stranger 21
Remembrance of things past
22. The Innocent
Filmography
Stage productions
Unrealised film projects
Bibliography.
Part I. Visconti and neorealism: 1. Ossessione
2. The background, theory, and practice of neorealism
3. La Terra Trema
4. Bellissima
5. Our Women
Part II. The Risorgimento Films: 6. Senso
7. The Leopard
Part III. The Family and Modern Italian Society: 8. Visconti's two families
9. Rocco and his brothers
10. Sandra
11. The Witch Burned Alive
12. Conversation piece
Part IV. Visconti and Germany: 13. Visconti, Thomas Mann and two aspects of Europe
14. The Job
15. The Damned
16. Death in Venice
17. Ludwig
Part V. Visconti as an interpreter of European literature: 18. Experiencing literature and cinema
19. White Nights
20. The Stranger 21
Remembrance of things past
22. The Innocent
Filmography
Stage productions
Unrealised film projects
Bibliography.
Introduction
Part I. Visconti and neorealism: 1. Ossessione
2. The background, theory, and practice of neorealism
3. La Terra Trema
4. Bellissima
5. Our Women
Part II. The Risorgimento Films: 6. Senso
7. The Leopard
Part III. The Family and Modern Italian Society: 8. Visconti's two families
9. Rocco and his brothers
10. Sandra
11. The Witch Burned Alive
12. Conversation piece
Part IV. Visconti and Germany: 13. Visconti, Thomas Mann and two aspects of Europe
14. The Job
15. The Damned
16. Death in Venice
17. Ludwig
Part V. Visconti as an interpreter of European literature: 18. Experiencing literature and cinema
19. White Nights
20. The Stranger 21
Remembrance of things past
22. The Innocent
Filmography
Stage productions
Unrealised film projects
Bibliography.
Part I. Visconti and neorealism: 1. Ossessione
2. The background, theory, and practice of neorealism
3. La Terra Trema
4. Bellissima
5. Our Women
Part II. The Risorgimento Films: 6. Senso
7. The Leopard
Part III. The Family and Modern Italian Society: 8. Visconti's two families
9. Rocco and his brothers
10. Sandra
11. The Witch Burned Alive
12. Conversation piece
Part IV. Visconti and Germany: 13. Visconti, Thomas Mann and two aspects of Europe
14. The Job
15. The Damned
16. Death in Venice
17. Ludwig
Part V. Visconti as an interpreter of European literature: 18. Experiencing literature and cinema
19. White Nights
20. The Stranger 21
Remembrance of things past
22. The Innocent
Filmography
Stage productions
Unrealised film projects
Bibliography.