"Melville and Readings have done a superb job, not only in their choice of essays, but in their elaborate and highly ambitious introduction. It is the best assessment that I know of the current state of contemporary art history and criticism, the most subtle analysis of the theoretical alternatives open to contemporary and future work in these disciplines."--Keith Moxey, Barnard College and Columbia University
"Melville and Readings have done a superb job, not only in their choice of essays, but in their elaborate and highly ambitious introduction. It is the best assessment that I know of the current state of contemporary art history and criticism, the most subtle analysis of the theoretical alternatives open to contemporary and future work in these disciplines."--Keith Moxey, Barnard College and Columbia UniversityHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations ix Acknowledgments xiii Notes on Contributors xvi Part I 1. General Introduction / Stephen Melville and Bill Readings 3 Part II 2. Basic Concepts Of Art History / Stephen Melville 31 3. Beholding Art History: Vision, Place and Power / Griselda Pollock 38 4. Past Looking / Michael Ann Holly 67 5. A Discourse (With Shape of Reason Missing) / John Tagg 90 6. The Aesthetics of Post-History: A German Perspective / Irit Rogoff 115 Part III 7. How Oblivious is Art? Kitsch and the Semiotician / Bill Readings 143 8. Reading the Gaze: The Construction of Gender in 'Rembrandt' / Mieke Bal 147 9. Philostratus and the Imaginary Museum / Norman Bryson 174 10. Topic and Figures of Enunciation: Is it Myself that I Paint / Louis Marlin 195 11. Armour Fou / Hal Foster 215 Part IV 12. The Pen and the Eye: The Politics of the Gazing Body / Francoise Lucbert 251 13. Impersonal Violence: The Penetrating Gaze and the Field of Narration in Caleb Williams / John Bender 256 14. The Visibility of Visuality: Vauxhall Gardens and the Sitting of the Viewer / Peter de Bolla 282 15. B/G / Thomas Crow 296 Part V 16. Vision Procured / Bennet Schaber 317 17. In the Master's Bedroom / Rosalind Krauss 326 18. Photo-unrealism: The Contribution of the Camera to the Crisis of Ocularcentrism / Martin Jay 344 19. Chance Encounters: Flaneur and Detraquee in Breton's Nadja / Victor Burgin 361 Index 373
List of Illustrations ix Acknowledgments xiii Notes on Contributors xvi Part I 1. General Introduction / Stephen Melville and Bill Readings 3 Part II 2. Basic Concepts Of Art History / Stephen Melville 31 3. Beholding Art History: Vision, Place and Power / Griselda Pollock 38 4. Past Looking / Michael Ann Holly 67 5. A Discourse (With Shape of Reason Missing) / John Tagg 90 6. The Aesthetics of Post-History: A German Perspective / Irit Rogoff 115 Part III 7. How Oblivious is Art? Kitsch and the Semiotician / Bill Readings 143 8. Reading the Gaze: The Construction of Gender in 'Rembrandt' / Mieke Bal 147 9. Philostratus and the Imaginary Museum / Norman Bryson 174 10. Topic and Figures of Enunciation: Is it Myself that I Paint / Louis Marlin 195 11. Armour Fou / Hal Foster 215 Part IV 12. The Pen and the Eye: The Politics of the Gazing Body / Francoise Lucbert 251 13. Impersonal Violence: The Penetrating Gaze and the Field of Narration in Caleb Williams / John Bender 256 14. The Visibility of Visuality: Vauxhall Gardens and the Sitting of the Viewer / Peter de Bolla 282 15. B/G / Thomas Crow 296 Part V 16. Vision Procured / Bennet Schaber 317 17. In the Master's Bedroom / Rosalind Krauss 326 18. Photo-unrealism: The Contribution of the Camera to the Crisis of Ocularcentrism / Martin Jay 344 19. Chance Encounters: Flaneur and Detraquee in Breton's Nadja / Victor Burgin 361 Index 373
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG i.I. Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
