In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements-Symbolism, Expressionism, Futurism, and Constructivism-and to reveal their impact on later practices in art cinema.
In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements-Symbolism, Expressionism, Futurism, and Constructivism-and to reveal their impact on later practices in art cinema.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Acknowledgments Introduction Part One: Proto-Cinematic Phase: The Pioneers (1896 - 1918) 1. "The Cinematograph" and Historical Consciousness: Actualities and the Early Experiments with Film in the Polish Territories 2. Discovering Medium Specificity: The First Polish Claims for Film as Art 3. The First Polish Experiment with Film: Feliks Kuczkowski's Animation in the Context of the International Avant-Garde Part Two: Polish Avant-Garde Movements and Film (1919 - 1945) 4. Karol Irzykowski's The Tenth Muse: Animated Film as the Highest Form of Film Art 5. The Theoretical Apparatus: Polish Futurism and Avant-Garde Film 6. Polish Avant-Garde Films, Discourses, and the Concept of Photogénie 7. Polish Avant-Garde Film and Constructivism Conclusion Selected Bibliography Index
Preface Acknowledgments Introduction Part One: Proto-Cinematic Phase: The Pioneers (1896 - 1918) 1. "The Cinematograph" and Historical Consciousness: Actualities and the Early Experiments with Film in the Polish Territories 2. Discovering Medium Specificity: The First Polish Claims for Film as Art 3. The First Polish Experiment with Film: Feliks Kuczkowski's Animation in the Context of the International Avant-Garde Part Two: Polish Avant-Garde Movements and Film (1919 - 1945) 4. Karol Irzykowski's The Tenth Muse: Animated Film as the Highest Form of Film Art 5. The Theoretical Apparatus: Polish Futurism and Avant-Garde Film 6. Polish Avant-Garde Films, Discourses, and the Concept of Photogénie 7. Polish Avant-Garde Film and Constructivism Conclusion Selected Bibliography Index
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