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Visions of Empire explores film's function as a medium of political communication, recognizing not just the propaganda film, but the various ways that conventional narrative films embody, question, or critique established social values underlying American attitudes toward historical, social, and political events. Stephen Prince discusses Hollywood film productions of the 1980s in terms of salient political issues of the period, including anxieties about declining U.S. military power, the wars in Central America and the prospects for U.S. intervention, the legacy of the Vietnam War, and urban…mehr

Produktbeschreibung
Visions of Empire explores film's function as a medium of political communication, recognizing not just the propaganda film, but the various ways that conventional narrative films embody, question, or critique established social values underlying American attitudes toward historical, social, and political events. Stephen Prince discusses Hollywood film productions of the 1980s in terms of salient political issues of the period, including anxieties about declining U.S. military power, the wars in Central America and the prospects for U.S. intervention, the legacy of the Vietnam War, and urban decay. In analyzing these images and narratives, the author also describes and evaluates the cinematic styles available in the Hollywood tradition to filmmakers who address political issues. Chapter 1 establishes the theoretical framework by considering features of the political landscape of the Reagan era. Theories about political representation and the place of ideology in film are also examined. Chapters 2 through 5 focus on the major cycles of political films. Chapter 2 examines the new Cold War films which played upon fears of the Soviet menace (Rambo, Invasion USA, Red Dawn, and Top Gun). Chapter 3 discusses the small group of films--Under Fire, Salvador, El Norte and others--that addressed the wars in Latin America and the ways they explained the origins of the conflicts and the U.S. role therein. Various histories and mythologies on film of the Vietnam War are examined in Chapter 4 as examples of the symbolic reconstruction of social memory. Chapter 5 looks at politicized science fiction films (Blade Runner, Aliens, Robocop, and Total Recall) offering critical commentaries on the pathologies of contemporary urban society and capitalism.
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Autorenporträt
Press quotes on A Year In The Country releases/Stephen Prince: "Author Stephen Prince is a multimedia artist who's been building his own otherworldly visions of Arcadian England under the name A Year In The Country. Both an exploration of a pastoral past and a rumination on a dystopian present, his recordings marry spectral folk to an electronic otherworld, whilst he has written books of non-fiction that investigates the inner-psyche of our collective histories." Thomas Patterson, Shindig! "A Year In The Country has been steadily building up a body of work that presents an alternative view of rural Britain, the project's output is consistently fascinating." Psychogeographic Review "Audio Albion is the latest brilliant release in an ongoing project to map landscape and memory through eerie instrumentals and twisted takes on folk culture." Jude Rogers, The Guardian Press quotes on A Year In The Country: Wandering Through Spectral Fields, also written by Stephen Prince and released as part of the A Year In The Country project: "Stephen Prince's densely packed tome covers everything from folkloric film and literature to electronic music to acid folk to folk horror to the dystopian fiction of John Wyndham and the classic unearthings of Nigel Kneale to the formation of under-the-furrows record labels like Trunk, Ghost Box and Finders Keepers... This incredibly well-researched book, which is obviously written by a man with an enormous passion for this subject, is probably as comprehensive as it is possible to be... Books this culturally valuable don't grow on hedgerows, so make sure you harvest it immediately."Ian White, Starburst "Author Prince has pulled together a mass of material culled not only from the website and its associated albums, but also a great deal more that was written specifically for the book. And the result is spellbinding." Dave Thompson, Goldmine "A new book caught my eye recently - the title A Year In The Country: Wandering Through Spectral Fields, that goes in search of the darker, eerier side of the bucolic countryside dream by looking at films of a certain genre, books, TV series, music; it is great to have this fascinating subject explored so thoroughly and brought together under one title." Verity Sharp, Late Junction, BBC Radio 3 The book was also selected for Electronic Sound magazine's Top Ten books of the year in 2018.