Visitor-Centered Exhibitions and Edu-Curation in Art Museums promotes balanced practices that are visitor-centered while honoring the integrity and powerful storytelling of art objects. Book examples present challenges and best practices that move beyond the turning point, where curation and education are engaged in full and equal collaboration.
Visitor-Centered Exhibitions and Edu-Curation in Art Museums promotes balanced practices that are visitor-centered while honoring the integrity and powerful storytelling of art objects. Book examples present challenges and best practices that move beyond the turning point, where curation and education are engaged in full and equal collaboration.
Foreword by Kaywin Feldman Preface Acknowledgements Part I. Foundations: The Need for Edu-Curation 1. From There to Here: In Support of Visitor-Centered Exhibitions Pat Villeneuve 2. Edu-Curation and the Edu-Curator Ann Rowson Love and Pat Villeneuve 3. Rethinking Curator/Educator Training and Interaction in the Co-Production of Art Museum Exhibitions Brian Hogarth Part II. Readiness: Structuring Your Approach 4. From Consultation to Collaboration: Mechanisms for Integrating Community Voices into Exhibition Development Judith Koke and Keri Ryan 5. Dynamic Moments: Testing High-Engagement Visitor Experiences at the Asian Art Museum of San Francisco Maia Werner-Avidon, Deborah Clearwaters and Dany Chan 6. Cu-Rate: Starting Curatorial Collaboration with Evaluation Ann Rowson Love 7. Aligning Authority with Responsibility for Interpretation Kathryn E. Blake, Jerry N. Smith and Christian Adame Part III. Collaboration in Action 8. Beyond the Gate: Collaborating with Living Artists to Bring Communities into the Museum and the Museum into Communities Maureen Thomas-Zaremba and Matthew McLendon 9. Collaboration Within and Outside the Museum: Student-Written Labels in a Featured Exhibition at the Nelson-Atkins Museum of Art Rosie Riordan and Stephanie Fox Knappe 10. Supported Interpretation: Building a Visitor-Centered Exhibition Model Pat Villeneuve 11. The Absolute Resolution Photography Exhibition: Facilitating Visitor Engagement with Supported Interpretation (SI) Alicia Viera, Carla Ellard and Kathy Vargas 12. Visitor as Activist: A Mobile Social Justice Museum's Call for Critical Visitor Engagement Monica O. Montgomery and Hannah Heller Part IV. Seeing Inside the Process 13. Multivocal, Collaborative Practices in Community-Based Art Museum Exhibitions Marianna Pegno and Chelsea Farrar 14. For the Use of Art Astrid Cats 15. Philosophical Inquiry: A Tool for Decision Making in Participatory Curation Trish Scott, Ayisha de Lanerolle, Karen Eslea and individual participants 16. Teaching Visitor-Centered Exhibitions: A Duoethnography of Two Team Members Ann Rowson Love and John Jay Boda Part V. Sustaining Engaged Organizational Learning 17. Complementary: Reflections on Curator-Educator Teamwork at the Denver Art Museum Stefania Van Dyke 18. Building a Workplace That Supports Educator - Curator Collaboration Jennifer Wild Czajkowski and Salvador Salort-Pons 19. Visitor-Centered Exhibition Design: Theory into Practice Elizabeth K. Eder, Andrew Pekarik and Zeynep Simavi About the Editors and Contributors Index
Foreword by Kaywin Feldman Preface Acknowledgements Part I. Foundations: The Need for Edu-Curation 1. From There to Here: In Support of Visitor-Centered Exhibitions Pat Villeneuve 2. Edu-Curation and the Edu-Curator Ann Rowson Love and Pat Villeneuve 3. Rethinking Curator/Educator Training and Interaction in the Co-Production of Art Museum Exhibitions Brian Hogarth Part II. Readiness: Structuring Your Approach 4. From Consultation to Collaboration: Mechanisms for Integrating Community Voices into Exhibition Development Judith Koke and Keri Ryan 5. Dynamic Moments: Testing High-Engagement Visitor Experiences at the Asian Art Museum of San Francisco Maia Werner-Avidon, Deborah Clearwaters and Dany Chan 6. Cu-Rate: Starting Curatorial Collaboration with Evaluation Ann Rowson Love 7. Aligning Authority with Responsibility for Interpretation Kathryn E. Blake, Jerry N. Smith and Christian Adame Part III. Collaboration in Action 8. Beyond the Gate: Collaborating with Living Artists to Bring Communities into the Museum and the Museum into Communities Maureen Thomas-Zaremba and Matthew McLendon 9. Collaboration Within and Outside the Museum: Student-Written Labels in a Featured Exhibition at the Nelson-Atkins Museum of Art Rosie Riordan and Stephanie Fox Knappe 10. Supported Interpretation: Building a Visitor-Centered Exhibition Model Pat Villeneuve 11. The Absolute Resolution Photography Exhibition: Facilitating Visitor Engagement with Supported Interpretation (SI) Alicia Viera, Carla Ellard and Kathy Vargas 12. Visitor as Activist: A Mobile Social Justice Museum's Call for Critical Visitor Engagement Monica O. Montgomery and Hannah Heller Part IV. Seeing Inside the Process 13. Multivocal, Collaborative Practices in Community-Based Art Museum Exhibitions Marianna Pegno and Chelsea Farrar 14. For the Use of Art Astrid Cats 15. Philosophical Inquiry: A Tool for Decision Making in Participatory Curation Trish Scott, Ayisha de Lanerolle, Karen Eslea and individual participants 16. Teaching Visitor-Centered Exhibitions: A Duoethnography of Two Team Members Ann Rowson Love and John Jay Boda Part V. Sustaining Engaged Organizational Learning 17. Complementary: Reflections on Curator-Educator Teamwork at the Denver Art Museum Stefania Van Dyke 18. Building a Workplace That Supports Educator - Curator Collaboration Jennifer Wild Czajkowski and Salvador Salort-Pons 19. Visitor-Centered Exhibition Design: Theory into Practice Elizabeth K. Eder, Andrew Pekarik and Zeynep Simavi About the Editors and Contributors Index
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