Visitor-Centered Exhibitions and Edu-Curation in Art Museums
Herausgeber: Villeneuve, Pat; Love, Ann Rowson
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Visitor-Centered Exhibitions and Edu-Curation in Art Museums
Herausgeber: Villeneuve, Pat; Love, Ann Rowson
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Visitor-Centered Exhibitions and Edu-Curation in Art Museums promotes balanced practices that are visitor-centered while honoring the integrity and powerful storytelling of art objects. Book examples present challenges and best practices that move beyond the turning point, where curation and education are engaged in full and equal collaboration.
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Visitor-Centered Exhibitions and Edu-Curation in Art Museums promotes balanced practices that are visitor-centered while honoring the integrity and powerful storytelling of art objects. Book examples present challenges and best practices that move beyond the turning point, where curation and education are engaged in full and equal collaboration.
Produktdetails
- Produktdetails
- Verlag: Globe Pequot Publishing Group Inc/Bloomsbury
- Seitenzahl: 300
- Erscheinungstermin: 23. März 2017
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 640g
- ISBN-13: 9781442278981
- ISBN-10: 1442278986
- Artikelnr.: 47363820
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Globe Pequot Publishing Group Inc/Bloomsbury
- Seitenzahl: 300
- Erscheinungstermin: 23. März 2017
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 640g
- ISBN-13: 9781442278981
- ISBN-10: 1442278986
- Artikelnr.: 47363820
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Edited by Pat Villeneuve and Ann Rowson Love
Foreword by Kaywin Feldman Preface Acknowledgements Part I. Foundations:
The Need for Edu-Curation 1. From There to Here: In Support of
Visitor-Centered Exhibitions Pat Villeneuve 2. Edu-Curation and the
Edu-Curator Ann Rowson Love and Pat Villeneuve 3. Rethinking
Curator/Educator Training and Interaction in the Co-Production of Art
Museum Exhibitions Brian Hogarth Part II. Readiness: Structuring Your
Approach 4. From Consultation to Collaboration: Mechanisms for Integrating
Community Voices into Exhibition Development Judith Koke and Keri Ryan 5.
Dynamic Moments: Testing High-Engagement Visitor Experiences at the Asian
Art Museum of San Francisco Maia Werner-Avidon, Deborah Clearwaters and
Dany Chan 6. Cu-Rate: Starting Curatorial Collaboration with Evaluation Ann
Rowson Love 7. Aligning Authority with Responsibility for Interpretation
Kathryn E. Blake, Jerry N. Smith and Christian Adame Part III.
Collaboration in Action 8. Beyond the Gate: Collaborating with Living
Artists to Bring Communities into the Museum and the Museum into
Communities Maureen Thomas-Zaremba and Matthew McLendon 9. Collaboration
Within and Outside the Museum: Student-Written Labels in a Featured
Exhibition at the Nelson-Atkins Museum of Art Rosie Riordan and Stephanie
Fox Knappe 10. Supported Interpretation: Building a Visitor-Centered
Exhibition Model Pat Villeneuve 11. The Absolute Resolution Photography
Exhibition: Facilitating Visitor Engagement with Supported Interpretation
(SI) Alicia Viera, Carla Ellard and Kathy Vargas 12. Visitor as Activist: A
Mobile Social Justice Museum's Call for Critical Visitor Engagement Monica
O. Montgomery and Hannah Heller Part IV. Seeing Inside the Process 13.
Multivocal, Collaborative Practices in Community-Based Art Museum
Exhibitions Marianna Pegno and Chelsea Farrar 14. For the Use of Art Astrid
Cats 15. Philosophical Inquiry: A Tool for Decision Making in Participatory
Curation Trish Scott, Ayisha de Lanerolle, Karen Eslea and individual
participants 16. Teaching Visitor-Centered Exhibitions: A Duoethnography of
Two Team Members Ann Rowson Love and John Jay Boda Part V. Sustaining
Engaged Organizational Learning 17. Complementary: Reflections on
Curator-Educator Teamwork at the Denver Art Museum Stefania Van Dyke 18.
Building a Workplace That Supports Educator - Curator Collaboration
Jennifer Wild Czajkowski and Salvador Salort-Pons 19. Visitor-Centered
Exhibition Design: Theory into Practice Elizabeth K. Eder, Andrew Pekarik
and Zeynep Simavi About the Editors and Contributors Index
The Need for Edu-Curation 1. From There to Here: In Support of
Visitor-Centered Exhibitions Pat Villeneuve 2. Edu-Curation and the
Edu-Curator Ann Rowson Love and Pat Villeneuve 3. Rethinking
Curator/Educator Training and Interaction in the Co-Production of Art
Museum Exhibitions Brian Hogarth Part II. Readiness: Structuring Your
Approach 4. From Consultation to Collaboration: Mechanisms for Integrating
Community Voices into Exhibition Development Judith Koke and Keri Ryan 5.
Dynamic Moments: Testing High-Engagement Visitor Experiences at the Asian
Art Museum of San Francisco Maia Werner-Avidon, Deborah Clearwaters and
Dany Chan 6. Cu-Rate: Starting Curatorial Collaboration with Evaluation Ann
Rowson Love 7. Aligning Authority with Responsibility for Interpretation
Kathryn E. Blake, Jerry N. Smith and Christian Adame Part III.
Collaboration in Action 8. Beyond the Gate: Collaborating with Living
Artists to Bring Communities into the Museum and the Museum into
Communities Maureen Thomas-Zaremba and Matthew McLendon 9. Collaboration
Within and Outside the Museum: Student-Written Labels in a Featured
Exhibition at the Nelson-Atkins Museum of Art Rosie Riordan and Stephanie
Fox Knappe 10. Supported Interpretation: Building a Visitor-Centered
Exhibition Model Pat Villeneuve 11. The Absolute Resolution Photography
Exhibition: Facilitating Visitor Engagement with Supported Interpretation
(SI) Alicia Viera, Carla Ellard and Kathy Vargas 12. Visitor as Activist: A
Mobile Social Justice Museum's Call for Critical Visitor Engagement Monica
O. Montgomery and Hannah Heller Part IV. Seeing Inside the Process 13.
Multivocal, Collaborative Practices in Community-Based Art Museum
Exhibitions Marianna Pegno and Chelsea Farrar 14. For the Use of Art Astrid
Cats 15. Philosophical Inquiry: A Tool for Decision Making in Participatory
Curation Trish Scott, Ayisha de Lanerolle, Karen Eslea and individual
participants 16. Teaching Visitor-Centered Exhibitions: A Duoethnography of
Two Team Members Ann Rowson Love and John Jay Boda Part V. Sustaining
Engaged Organizational Learning 17. Complementary: Reflections on
Curator-Educator Teamwork at the Denver Art Museum Stefania Van Dyke 18.
Building a Workplace That Supports Educator - Curator Collaboration
Jennifer Wild Czajkowski and Salvador Salort-Pons 19. Visitor-Centered
Exhibition Design: Theory into Practice Elizabeth K. Eder, Andrew Pekarik
and Zeynep Simavi About the Editors and Contributors Index
Foreword by Kaywin Feldman Preface Acknowledgements Part I. Foundations:
The Need for Edu-Curation 1. From There to Here: In Support of
Visitor-Centered Exhibitions Pat Villeneuve 2. Edu-Curation and the
Edu-Curator Ann Rowson Love and Pat Villeneuve 3. Rethinking
Curator/Educator Training and Interaction in the Co-Production of Art
Museum Exhibitions Brian Hogarth Part II. Readiness: Structuring Your
Approach 4. From Consultation to Collaboration: Mechanisms for Integrating
Community Voices into Exhibition Development Judith Koke and Keri Ryan 5.
Dynamic Moments: Testing High-Engagement Visitor Experiences at the Asian
Art Museum of San Francisco Maia Werner-Avidon, Deborah Clearwaters and
Dany Chan 6. Cu-Rate: Starting Curatorial Collaboration with Evaluation Ann
Rowson Love 7. Aligning Authority with Responsibility for Interpretation
Kathryn E. Blake, Jerry N. Smith and Christian Adame Part III.
Collaboration in Action 8. Beyond the Gate: Collaborating with Living
Artists to Bring Communities into the Museum and the Museum into
Communities Maureen Thomas-Zaremba and Matthew McLendon 9. Collaboration
Within and Outside the Museum: Student-Written Labels in a Featured
Exhibition at the Nelson-Atkins Museum of Art Rosie Riordan and Stephanie
Fox Knappe 10. Supported Interpretation: Building a Visitor-Centered
Exhibition Model Pat Villeneuve 11. The Absolute Resolution Photography
Exhibition: Facilitating Visitor Engagement with Supported Interpretation
(SI) Alicia Viera, Carla Ellard and Kathy Vargas 12. Visitor as Activist: A
Mobile Social Justice Museum's Call for Critical Visitor Engagement Monica
O. Montgomery and Hannah Heller Part IV. Seeing Inside the Process 13.
Multivocal, Collaborative Practices in Community-Based Art Museum
Exhibitions Marianna Pegno and Chelsea Farrar 14. For the Use of Art Astrid
Cats 15. Philosophical Inquiry: A Tool for Decision Making in Participatory
Curation Trish Scott, Ayisha de Lanerolle, Karen Eslea and individual
participants 16. Teaching Visitor-Centered Exhibitions: A Duoethnography of
Two Team Members Ann Rowson Love and John Jay Boda Part V. Sustaining
Engaged Organizational Learning 17. Complementary: Reflections on
Curator-Educator Teamwork at the Denver Art Museum Stefania Van Dyke 18.
Building a Workplace That Supports Educator - Curator Collaboration
Jennifer Wild Czajkowski and Salvador Salort-Pons 19. Visitor-Centered
Exhibition Design: Theory into Practice Elizabeth K. Eder, Andrew Pekarik
and Zeynep Simavi About the Editors and Contributors Index
The Need for Edu-Curation 1. From There to Here: In Support of
Visitor-Centered Exhibitions Pat Villeneuve 2. Edu-Curation and the
Edu-Curator Ann Rowson Love and Pat Villeneuve 3. Rethinking
Curator/Educator Training and Interaction in the Co-Production of Art
Museum Exhibitions Brian Hogarth Part II. Readiness: Structuring Your
Approach 4. From Consultation to Collaboration: Mechanisms for Integrating
Community Voices into Exhibition Development Judith Koke and Keri Ryan 5.
Dynamic Moments: Testing High-Engagement Visitor Experiences at the Asian
Art Museum of San Francisco Maia Werner-Avidon, Deborah Clearwaters and
Dany Chan 6. Cu-Rate: Starting Curatorial Collaboration with Evaluation Ann
Rowson Love 7. Aligning Authority with Responsibility for Interpretation
Kathryn E. Blake, Jerry N. Smith and Christian Adame Part III.
Collaboration in Action 8. Beyond the Gate: Collaborating with Living
Artists to Bring Communities into the Museum and the Museum into
Communities Maureen Thomas-Zaremba and Matthew McLendon 9. Collaboration
Within and Outside the Museum: Student-Written Labels in a Featured
Exhibition at the Nelson-Atkins Museum of Art Rosie Riordan and Stephanie
Fox Knappe 10. Supported Interpretation: Building a Visitor-Centered
Exhibition Model Pat Villeneuve 11. The Absolute Resolution Photography
Exhibition: Facilitating Visitor Engagement with Supported Interpretation
(SI) Alicia Viera, Carla Ellard and Kathy Vargas 12. Visitor as Activist: A
Mobile Social Justice Museum's Call for Critical Visitor Engagement Monica
O. Montgomery and Hannah Heller Part IV. Seeing Inside the Process 13.
Multivocal, Collaborative Practices in Community-Based Art Museum
Exhibitions Marianna Pegno and Chelsea Farrar 14. For the Use of Art Astrid
Cats 15. Philosophical Inquiry: A Tool for Decision Making in Participatory
Curation Trish Scott, Ayisha de Lanerolle, Karen Eslea and individual
participants 16. Teaching Visitor-Centered Exhibitions: A Duoethnography of
Two Team Members Ann Rowson Love and John Jay Boda Part V. Sustaining
Engaged Organizational Learning 17. Complementary: Reflections on
Curator-Educator Teamwork at the Denver Art Museum Stefania Van Dyke 18.
Building a Workplace That Supports Educator - Curator Collaboration
Jennifer Wild Czajkowski and Salvador Salort-Pons 19. Visitor-Centered
Exhibition Design: Theory into Practice Elizabeth K. Eder, Andrew Pekarik
and Zeynep Simavi About the Editors and Contributors Index