Visual Arts Management provides the first comprehensive textbook to the art business. The book covers the full range of the art world from contemporary galleries, secondary market, auction houses, art fairs, and museums. Topics include overviews of the distinct sectors of the business, but also delves in to technical topics.
Visual Arts Management provides the first comprehensive textbook to the art business. The book covers the full range of the art world from contemporary galleries, secondary market, auction houses, art fairs, and museums. Topics include overviews of the distinct sectors of the business, but also delves in to technical topics.
Jeffrey Taylor is the Grosland Director of the Master in Gallery Management at Western State Colorado University, USA. Previously, he was the Leon Levy Fellow at the Center for the History of Collecting at the Frick Collection, USA and taught at Purchase Collage State University of New York, USA, and the International Business School in Budapest, Hungary.
Inhaltsangabe
Introduction: The Art Market: Origins and Structure 1. Primary Art Market [Case Study: Ambrose Vollard] 2. Secondary Art Market [Case Study: Joseph Duveen and Bernard Berenson] 3. Auction Houses [Case Study: Sotheby's and Christie's] 4. Public Collections and Museums [Case Study: The Museum of Jurassic Technology] 5. Business Models [Case Study: The Impressionist Exhibitions, 1874-1886] 6. Antiques [Case Study: Brown Furniture] 7. Art Fairs [Case Study: Ernst Beyeler] 8. Curatorship [Case Study: Vienna Secession 1902 Beethoven exhibition] 9. Venue Management [Case Study: Art of this Century] 10. Marketing [Case Study: Mana Contemporary] 11. Art Criticism [Case Study: Clement Greenburg] 12. Cultural Heritage Compliance [Case Study: Giacomo Medici] 13. Taxation [Case Study: Dennis Kozlowski] 14. Customs [Case Study: Free Ports] 15. Insurance [Case Study: Title Insurance] 16. Transportation [Case Study] 17. Appraising [Case Study: Robert Rauschenberg's Canyon] 18. Conservation [Case Study: Ecce Homo by Elías Garcías Martínez] 19. Connoisseurship [Case Study: Wolfgang Beltracchi]
Introduction: The Art Market: Origins and Structure 1. Primary Art Market [Case Study: Ambrose Vollard] 2. Secondary Art Market [Case Study: Joseph Duveen and Bernard Berenson] 3. Auction Houses [Case Study: Sotheby's and Christie's] 4. Public Collections and Museums [Case Study: The Museum of Jurassic Technology] 5. Business Models [Case Study: The Impressionist Exhibitions, 1874-1886] 6. Antiques [Case Study: Brown Furniture] 7. Art Fairs [Case Study: Ernst Beyeler] 8. Curatorship [Case Study: Vienna Secession 1902 Beethoven exhibition] 9. Venue Management [Case Study: Art of this Century] 10. Marketing [Case Study: Mana Contemporary] 11. Art Criticism [Case Study: Clement Greenburg] 12. Cultural Heritage Compliance [Case Study: Giacomo Medici] 13. Taxation [Case Study: Dennis Kozlowski] 14. Customs [Case Study: Free Ports] 15. Insurance [Case Study: Title Insurance] 16. Transportation [Case Study] 17. Appraising [Case Study: Robert Rauschenberg's Canyon] 18. Conservation [Case Study: Ecce Homo by Elías Garcías Martínez] 19. Connoisseurship [Case Study: Wolfgang Beltracchi]
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