First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970.
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Simon Faulkner is Lecturer in the History of Art and Design at Manchester Metropolitan University, UK. Anandi Ramamurthy is Senior Lecturer in Media and Cultural History at the University of Central Lancashire, UK.
Inhaltsangabe
1. 'Festering Britain': the 1951 Festival of Britain, Decolonisation and the Representation of the Commonwealth. Jo Littler. 2. Images of Industrialisation in Empire and Commonwealth during the Shift to Neo-Colonialism. Anandi Ramamurthy. 3. Late Colonial Exoticism: John Minton's Pictures of Jamaica, 1950-1952. Simon Faulkner. 4. Francis Newton Souza and Aubrey Williams: Entwined Art Histories at the End of Empire. Leon Wainwright. 5. A Journey through the Imperial Gaze: Birmingham's Photographic Collections and its Caribbean Nexus. Sandra Courtman. 6. 'Can Whiskey Come Too?': Records of Family and Friendship in 1960s Malawi. Patricia Holland and Emma Sandon. 7. 'There'll always be an England': Representations of Colonial Wars and Immigration, 1948-1968. Wendy Webster. 8. Casting a Giant Shadow: the Appropriation of Colonial Imagery in Three Pro-Zionist Films. Richard Farrow. 9. Fragments in the History of the Visual Culture of Anti-Colonial Struggle. Hakim Adi and Anandi Ramamurthy.
1. 'Festering Britain': the 1951 Festival of Britain, Decolonisation and the Representation of the Commonwealth. Jo Littler. 2. Images of Industrialisation in Empire and Commonwealth during the Shift to Neo-Colonialism. Anandi Ramamurthy. 3. Late Colonial Exoticism: John Minton's Pictures of Jamaica, 1950-1952. Simon Faulkner. 4. Francis Newton Souza and Aubrey Williams: Entwined Art Histories at the End of Empire. Leon Wainwright. 5. A Journey through the Imperial Gaze: Birmingham's Photographic Collections and its Caribbean Nexus. Sandra Courtman. 6. 'Can Whiskey Come Too?': Records of Family and Friendship in 1960s Malawi. Patricia Holland and Emma Sandon. 7. 'There'll always be an England': Representations of Colonial Wars and Immigration, 1948-1968. Wendy Webster. 8. Casting a Giant Shadow: the Appropriation of Colonial Imagery in Three Pro-Zionist Films. Richard Farrow. 9. Fragments in the History of the Visual Culture of Anti-Colonial Struggle. Hakim Adi and Anandi Ramamurthy.
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