Xiaobing Tang is Helmut F. Stern Professor of Modern Chinese Studies and Professor of Comparative Literature at the University of Michigan. His research focuses on twentieth-century Chinese literature, visual arts, and cultural politics. He has published in Chinese and English on a broad range of topics and different cultural texts. His English publications include Origins of the Chinese Avant-Garde (2008) and Chinese Modern (2000). In 2011, he guest-curated Multiple Impressions: Contemporary Chinese Woodblock Prints for the University of Michigan Museum of Art and edited the exhibition catalogue.
Inhaltsangabe
Acknowledgements A brief timeline of relevant events Introduction: toward a short history of visual culture in contemporary China 1. How was socialist visual culture created? Part I. Revelations of an Art Form: 2. How was socialist visual culture created? Part II. Revelations of a History Painting: 3. What do we see in New China cinema? 4. What does socialist visual experience mean to contemporary art? 5. How (not) to watch a Chinese blockbuster 6. Where to look for art in contemporary China? Conclusion: seeing China from afar Glossary Filmography Select bibliography Index.
Acknowledgements A brief timeline of relevant events Introduction: toward a short history of visual culture in contemporary China 1. How was socialist visual culture created? Part I. Revelations of an Art Form: 2. How was socialist visual culture created? Part II. Revelations of a History Painting: 3. What do we see in New China cinema? 4. What does socialist visual experience mean to contemporary art? 5. How (not) to watch a Chinese blockbuster 6. Where to look for art in contemporary China? Conclusion: seeing China from afar Glossary Filmography Select bibliography Index.
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