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Many of us have been fascinated by visual illusions at some point, and have asked ourselves why something can look like one thing when it is fact something else. How can we perceive two different things, when the light coming into our eyes stays constant? This book brings together psychologists and philosophers to explore this aspect of vision.
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Many of us have been fascinated by visual illusions at some point, and have asked ourselves why something can look like one thing when it is fact something else. How can we perceive two different things, when the light coming into our eyes stays constant? This book brings together psychologists and philosophers to explore this aspect of vision.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- New
- Seitenzahl: 264
- Erscheinungstermin: 7. September 2012
- Englisch
- Abmessung: 246mm x 173mm x 20mm
- Gewicht: 680g
- ISBN-13: 9780199597277
- ISBN-10: 0199597278
- Artikelnr.: 35709182
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Hurst & Co.
- New
- Seitenzahl: 264
- Erscheinungstermin: 7. September 2012
- Englisch
- Abmessung: 246mm x 173mm x 20mm
- Gewicht: 680g
- ISBN-13: 9780199597277
- ISBN-10: 0199597278
- Artikelnr.: 35709182
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Gary Hatfield has studied visual perception for more than three decades. His works include experimental studies of shape constancy, theoretical papers on perception, and philosophical studies of the fundamental concepts and theories of visual perception and cognition and their history. His work in the history and philosophy of psychology extends from the seventeenth century to current controversies on qualia and perceptual representation. He has published books on Descartes and the Meditations and The Natural and the Normative: Theories of Spatial Perception from Kant to Helmholtz, his essays have been collected in Perception and Cognition: Essays in the Philosophy of Psychology, and he has translated Kant's Prolegomena to Any Future Metaphysics. He is the co-founder of the Visual Studies undergraduate program at Penn and has co-taught, with psychologists and art historians, courses and seminars on all aspects of visual perception. Sarah Allred studies visual perception and memory through psychophysics, probabilistic computational models, and neurophysiology. She is also interested in the philosophy of perception and evolutionary psychology. This range of topics reflects her academic training: a BSc in Applied Physics in 1999, a PhD in Neurobiology and Behavior from the University of Washington in 2006, and postdoctoral work in the lab of David Brainard at the University of Pennsylvania. Since 2009, Sarah has been teaching and researching as an assistant professor in the psychology department at Rutgers, The State University of New Jersey. She is the recipient of an NSF Career Award (2010-4).
* Introduction: Visual Experience
* Cognitive and Phenomenal Factors in Spatial Perception
* 1: Carl E. Granrud: Judging the Size of a Distant Object: Strategy
Use by Children and Adults
* 2: Gary Hatfield: Phenomenal and Cognitive Factors in Spatial
Perception
* 3: Mark Wagner: Sensory and Cognitive Explanations for a Century of
Size Constancy Research
* 4: Frank H. Durgin, Anna J. Ruff, and Robert C. Russell: Constant
Enough: On the Kinds of Perceptual Constancy Worth Having
* Historical and Conceptual Issues
* 5: Alan Gilchrist: Objective and Subjective Sides of Perception
* 6: Donald I. A. MacLeod: A Mechanistic Perspective on the "Given"
* 7: Austen Clark: Spatial Organization and the Appearances Thereof in
Early Vision
* 8: Jonathan Cohen: Computation and the Ambiguity of Perception
* Color Constancy: Memory, Computation, and Inference
* 9: Maria Olkkonen, Thorsten Hansen, and Karl R. Gegenfurtner:
High-Level Perceptual Influences on Color Appearance
* 10: David Hilbert: Constancy, Content, and Inference
* 11: Sarah Allred: Approaching Color with Bayesian Algorithms
* Epilogue: Advances and Open Questions
* Cognitive and Phenomenal Factors in Spatial Perception
* 1: Carl E. Granrud: Judging the Size of a Distant Object: Strategy
Use by Children and Adults
* 2: Gary Hatfield: Phenomenal and Cognitive Factors in Spatial
Perception
* 3: Mark Wagner: Sensory and Cognitive Explanations for a Century of
Size Constancy Research
* 4: Frank H. Durgin, Anna J. Ruff, and Robert C. Russell: Constant
Enough: On the Kinds of Perceptual Constancy Worth Having
* Historical and Conceptual Issues
* 5: Alan Gilchrist: Objective and Subjective Sides of Perception
* 6: Donald I. A. MacLeod: A Mechanistic Perspective on the "Given"
* 7: Austen Clark: Spatial Organization and the Appearances Thereof in
Early Vision
* 8: Jonathan Cohen: Computation and the Ambiguity of Perception
* Color Constancy: Memory, Computation, and Inference
* 9: Maria Olkkonen, Thorsten Hansen, and Karl R. Gegenfurtner:
High-Level Perceptual Influences on Color Appearance
* 10: David Hilbert: Constancy, Content, and Inference
* 11: Sarah Allred: Approaching Color with Bayesian Algorithms
* Epilogue: Advances and Open Questions
* Introduction: Visual Experience
* Cognitive and Phenomenal Factors in Spatial Perception
* 1: Carl E. Granrud: Judging the Size of a Distant Object: Strategy
Use by Children and Adults
* 2: Gary Hatfield: Phenomenal and Cognitive Factors in Spatial
Perception
* 3: Mark Wagner: Sensory and Cognitive Explanations for a Century of
Size Constancy Research
* 4: Frank H. Durgin, Anna J. Ruff, and Robert C. Russell: Constant
Enough: On the Kinds of Perceptual Constancy Worth Having
* Historical and Conceptual Issues
* 5: Alan Gilchrist: Objective and Subjective Sides of Perception
* 6: Donald I. A. MacLeod: A Mechanistic Perspective on the "Given"
* 7: Austen Clark: Spatial Organization and the Appearances Thereof in
Early Vision
* 8: Jonathan Cohen: Computation and the Ambiguity of Perception
* Color Constancy: Memory, Computation, and Inference
* 9: Maria Olkkonen, Thorsten Hansen, and Karl R. Gegenfurtner:
High-Level Perceptual Influences on Color Appearance
* 10: David Hilbert: Constancy, Content, and Inference
* 11: Sarah Allred: Approaching Color with Bayesian Algorithms
* Epilogue: Advances and Open Questions
* Cognitive and Phenomenal Factors in Spatial Perception
* 1: Carl E. Granrud: Judging the Size of a Distant Object: Strategy
Use by Children and Adults
* 2: Gary Hatfield: Phenomenal and Cognitive Factors in Spatial
Perception
* 3: Mark Wagner: Sensory and Cognitive Explanations for a Century of
Size Constancy Research
* 4: Frank H. Durgin, Anna J. Ruff, and Robert C. Russell: Constant
Enough: On the Kinds of Perceptual Constancy Worth Having
* Historical and Conceptual Issues
* 5: Alan Gilchrist: Objective and Subjective Sides of Perception
* 6: Donald I. A. MacLeod: A Mechanistic Perspective on the "Given"
* 7: Austen Clark: Spatial Organization and the Appearances Thereof in
Early Vision
* 8: Jonathan Cohen: Computation and the Ambiguity of Perception
* Color Constancy: Memory, Computation, and Inference
* 9: Maria Olkkonen, Thorsten Hansen, and Karl R. Gegenfurtner:
High-Level Perceptual Influences on Color Appearance
* 10: David Hilbert: Constancy, Content, and Inference
* 11: Sarah Allred: Approaching Color with Bayesian Algorithms
* Epilogue: Advances and Open Questions