Not much is known about how the coming of photography changed visual discourse or affected people's lives. Through a selection of 32 essays, each illustrated with archival photographs, this volume looks at the camera in the colonial era and in post-independent India to reveal both: history through photographs and the history of photographs in India.
Not much is known about how the coming of photography changed visual discourse or affected people's lives. Through a selection of 32 essays, each illustrated with archival photographs, this volume looks at the camera in the colonial era and in post-independent India to reveal both: history through photographs and the history of photographs in India.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Malavika Karlekar is Editor, Indian Journal of Gender Studies, Centre for Women's Development Studies, New Delhi.
Inhaltsangabe
Introduction THE COLONIAL EYE: Under Canvas and Within Compounds 'Fixing' the Subject A Raja's Realm A Performative Space The Photograph and its Accoutrements Glass-plate Negatives in Bullock Carts Parda and a Poniard Shooting the Sublime The Empire and an Aficionado Through a Prism Darkly Theatre of War Sites of Past Conflict A Sky of Inky Tint A Racy Counter-Narrative Postcards from Home Panoply of the Raj IMAGING INDIA: Reading the Pose Ephemeral Encounters Cameras in the Classroom A Grand Old Man Tales of an Elephant and a Mule Imaging the Other A Child Widow's Story A Dancer in the Darkroom Ways of Engaging Sacred Spaces Views Behind the Veil Memorializing the Mahatma A Monsoon of Hatred and Despair An Iconic Observer Histories on the Wall The 'Second Creature' Readings
Introduction THE COLONIAL EYE: Under Canvas and Within Compounds 'Fixing' the Subject A Raja's Realm A Performative Space The Photograph and its Accoutrements Glass-plate Negatives in Bullock Carts Parda and a Poniard Shooting the Sublime The Empire and an Aficionado Through a Prism Darkly Theatre of War Sites of Past Conflict A Sky of Inky Tint A Racy Counter-Narrative Postcards from Home Panoply of the Raj IMAGING INDIA: Reading the Pose Ephemeral Encounters Cameras in the Classroom A Grand Old Man Tales of an Elephant and a Mule Imaging the Other A Child Widow's Story A Dancer in the Darkroom Ways of Engaging Sacred Spaces Views Behind the Veil Memorializing the Mahatma A Monsoon of Hatred and Despair An Iconic Observer Histories on the Wall The 'Second Creature' Readings
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