The Second Edition of this popular text confirms the book s status as an important forerunner in the field of visual methods. Combining the theoretical, practical and technical the authors discuss changing technologies, the role of the internet and the impact of social media. Presenting an interdisciplinary guide to visual methods they explore both the creation and interpretation of visual images and their use within different methodological approaches. This clear, articulate book is full of practical tips on publishing and presenting the results of visual research and how to use film…mehr
The Second Edition of this popular text confirms the book s status as an important forerunner in the field of visual methods.
Combining the theoretical, practical and technical the authors discuss changing technologies, the role of the internet and the impact of social media. Presenting an interdisciplinary guide to visual methods they explore both the creation and interpretation of visual images and their use within different methodological approaches.
This clear, articulate book is full of practical tips on publishing and presenting the results of visual research and how to use film and photographic archives.
This book will be an indispensable guide for anyone using or creating visual images in their research.
Marcus Banks is Professor of Visual Anthropoloigy at the University of Oxford. Having completed a doctorate in social anthropology at the University of Cambridge, with a study of Jain people in England and India, he trained as an ethnographic documentary filmmaker at the National Film and Television School, Beaconsfield, UK. He is the author Using Visual Data in Qualitative Research (2007) and co-editor of Rethinking Visual Anthropology (1997, with Howard Morphy), and Made to be Seen: Perspectives on the History of Visual Anthropology (2011, with Jay Ruby), as well as publishing numerous papers on visual research. He has published on documentary film forms and film practice in colonial India, and is currently conducting research on image production and use in forensic science practice.
Inhaltsangabe
READING PICTURES The trouble with pictures An introductory example Unnatural vision Reading narratives Formal readings Planning a research project with visual methods ENCOUNTERING THE VISUAL On Television Visual forms produced I: representations of society Interpreting Forest of Bliss Still and moving images Visual forms produced II: representations of knowledge Visualisation Networks Diagrams of Nuer lineages Visual forms encountered Encountering 'indigenous' media The image as evidence 'Us' and 'them'? MATERIAL VISION Object and representation The materiality of visual forms Displaying family photographs Exchanged goods Market exchange Size matters Transformations: digitisation and computer-based media Digital manipulation Digital pornography: constraining the virtual Digital pornography: exchange and circulation RESEARCH STRATEGIES Silk thread to plastic bags Researching image use and production in social contexts Watching television Soap opera in India and Egypt Television as social presence Doing things with photographs and films Photo-elicitation with archival images Photo-elicitation with contemporary images Learning from photo-elicitation Film-elicitation Working with archival material Photographic archives and picture libraries Film archives MAKING IMAGES Observing Creating images for research Documentation A ladder climbed then discarded Documentary exploration Documentary control Collaborative projects Indigenous media collaborations Collaborative after effects Ethics and visual research Ethical review Permissions Returning images PRESENTING RESEARCH RESULTS Audiences Presenting photographs The photographic essay Presenting ethnographic and other films Study guides and other contextualisation Databases and digital images Can computer see? Multimedia projects Interacting with Yanomamo Copyright PERSPECTIVES ON VISUAL RESEARCH The state of visual research The place of visual research The nature of visual research
READING PICTURES The trouble with pictures An introductory example Unnatural vision Reading narratives Formal readings Planning a research project with visual methods ENCOUNTERING THE VISUAL On Television Visual forms produced I: representations of society Interpreting Forest of Bliss Still and moving images Visual forms produced II: representations of knowledge Visualisation Networks Diagrams of Nuer lineages Visual forms encountered Encountering indigenous media The image as evidence Us and them ? MATERIAL VISION Object and representation The materiality of visual forms Displaying family photographs Exchanged goods Market exchange Size matters Transformations: digitisation and computer-based media Digital manipulation Digital pornography: constraining the virtual Digital pornography: exchange and circulation RESEARCH STRATEGIES Silk thread to plastic bags Researching image use and production in social contexts Watching television Soap opera in India and Egypt Television as social presence Doing things with photographs and films Photo-elicitation with archival images Photo-elicitation with contemporary images Learning from photo-elicitation Film-elicitation Working with archival material Photographic archives and picture libraries Film archives MAKING IMAGES Observing Creating images for research Documentation A ladder climbed then discarded Documentary exploration Documentary control Collaborative projects Indigenous media collaborations Collaborative after effects Ethics and visual research Ethical review Permissions Returning images PRESENTING RESEARCH RESULTS Audiences Presenting photographs The photographic essay Presenting ethnographic and other films Study guides and other contextualisation Databases and digital images Can computer see? Multimedia projects Interacting with Yanomamo Copyright PERSPECTIVES ON VISUAL RESEARCH The state of visual research The place of visual research The nature of visual research
READING PICTURES The trouble with pictures An introductory example Unnatural vision Reading narratives Formal readings Planning a research project with visual methods ENCOUNTERING THE VISUAL On Television Visual forms produced I: representations of society Interpreting Forest of Bliss Still and moving images Visual forms produced II: representations of knowledge Visualisation Networks Diagrams of Nuer lineages Visual forms encountered Encountering 'indigenous' media The image as evidence 'Us' and 'them'? MATERIAL VISION Object and representation The materiality of visual forms Displaying family photographs Exchanged goods Market exchange Size matters Transformations: digitisation and computer-based media Digital manipulation Digital pornography: constraining the virtual Digital pornography: exchange and circulation RESEARCH STRATEGIES Silk thread to plastic bags Researching image use and production in social contexts Watching television Soap opera in India and Egypt Television as social presence Doing things with photographs and films Photo-elicitation with archival images Photo-elicitation with contemporary images Learning from photo-elicitation Film-elicitation Working with archival material Photographic archives and picture libraries Film archives MAKING IMAGES Observing Creating images for research Documentation A ladder climbed then discarded Documentary exploration Documentary control Collaborative projects Indigenous media collaborations Collaborative after effects Ethics and visual research Ethical review Permissions Returning images PRESENTING RESEARCH RESULTS Audiences Presenting photographs The photographic essay Presenting ethnographic and other films Study guides and other contextualisation Databases and digital images Can computer see? Multimedia projects Interacting with Yanomamo Copyright PERSPECTIVES ON VISUAL RESEARCH The state of visual research The place of visual research The nature of visual research
READING PICTURES The trouble with pictures An introductory example Unnatural vision Reading narratives Formal readings Planning a research project with visual methods ENCOUNTERING THE VISUAL On Television Visual forms produced I: representations of society Interpreting Forest of Bliss Still and moving images Visual forms produced II: representations of knowledge Visualisation Networks Diagrams of Nuer lineages Visual forms encountered Encountering indigenous media The image as evidence Us and them ? MATERIAL VISION Object and representation The materiality of visual forms Displaying family photographs Exchanged goods Market exchange Size matters Transformations: digitisation and computer-based media Digital manipulation Digital pornography: constraining the virtual Digital pornography: exchange and circulation RESEARCH STRATEGIES Silk thread to plastic bags Researching image use and production in social contexts Watching television Soap opera in India and Egypt Television as social presence Doing things with photographs and films Photo-elicitation with archival images Photo-elicitation with contemporary images Learning from photo-elicitation Film-elicitation Working with archival material Photographic archives and picture libraries Film archives MAKING IMAGES Observing Creating images for research Documentation A ladder climbed then discarded Documentary exploration Documentary control Collaborative projects Indigenous media collaborations Collaborative after effects Ethics and visual research Ethical review Permissions Returning images PRESENTING RESEARCH RESULTS Audiences Presenting photographs The photographic essay Presenting ethnographic and other films Study guides and other contextualisation Databases and digital images Can computer see? Multimedia projects Interacting with Yanomamo Copyright PERSPECTIVES ON VISUAL RESEARCH The state of visual research The place of visual research The nature of visual research
Rezensionen
This continues to be a key text for work with and on the visual. Highly recommended and not to be missed by anybody wanting to understand what images mean, both practically and theoretically. Arnd Schneider
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