This volumeâ the second in Max Van Manenâ s Phenomenology of Practice seriesâ brings together personal narrative, human research methodology, and an extensive knowledge of aesthetic discourse to redefine the sublime in terms of direct and immediate experience.
This volumeâ the second in Max Van Manenâ s Phenomenology of Practice seriesâ brings together personal narrative, human research methodology, and an extensive knowledge of aesthetic discourse to redefine the sublime in terms of direct and immediate experience.
Erika Goble is Research Manager and Researcher at NorQuest College in Edmonton, Alberta, Canada.
Inhaltsangabe
Contents: 1) An Introduction to the Sublimity of Images 2) The Flight of Icarus: The Sublime as Awe & Terror 3) The Tate's Blue Butterflies: The Sublime as the Experience of the Exquisite & the Monstrous 4) The Raw Appeal of a Figure with Meat: The Sublime as the Experience of Horror & Delight 5) The Challenge of Doubting Thomas: The Sublime as the Experience of Clarity & Mystery 6) On a Starry Night like this, I would like to Die: The Sublime as Existence & Inexistence 7) Sublimity and the Image 8) Pedagogy and the Sublime Image 9) References
Contents: 1) An Introduction to the Sublimity of Images 2) The Flight of Icarus: The Sublime as Awe & Terror 3) The Tate's Blue Butterflies: The Sublime as the Experience of the Exquisite & the Monstrous 4) The Raw Appeal of a Figure with Meat: The Sublime as the Experience of Horror & Delight 5) The Challenge of Doubting Thomas: The Sublime as the Experience of Clarity & Mystery 6) On a Starry Night like this, I would like to Die: The Sublime as Existence & Inexistence 7) Sublimity and the Image 8) Pedagogy and the Sublime Image 9) References
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