In this lively narrative, award-winning author Michael Kammen presents a fascinating analysis of cutting-edge art and artists and their unique ability to both delight and provoke us. He illuminates America s obsession with public memorials and the changing role of art and museums in our society. From Thomas Eakins s 1875 masterpiece The Gross Clinic, (considered too big, bold, and gory when first exhibited) to the bitter disputes about Maya Lin s Vietnam War Memorial, this is an eye-opening account of American art and the battles and controversies that it has ignited.
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"Deep, richly detailed, and enlightening." The Boston Globe Compelling. . . . A nuanced study . . . offers an important context for looking at ongoing issues of censorship and debates about the point of art. The Miami Herald "Kammen . . . handles these variegated brouhahas with welcome deftness; he squeezes in all the facts while maintaining a nice narrative flow." The Nation"A detailed and comprehensive survey of the history of artistic battles in the United States." The Houston Chronicle