Visual Typologies from the Early Modern to the Contemporary investigates the pictorial representation of types from the sixteenth to the twenty-first century.
Visual Typologies from the Early Modern to the Contemporary investigates the pictorial representation of types from the sixteenth to the twenty-first century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tara Zanardi is Associate Professor of Art History, Hunter College, CUNY, USA. Lynda Klich is Assistant Professor of Art History, Hunter College, CUNY, USA.
Inhaltsangabe
Table of Contents: Contributors; Introduction to Visual Typologies from the Early Modern to the Contemporary: Local Contexts and Global Practices, Tara Zanardi and Lynda Klich; Repeating, Borrowing, and Serializing the Type; Fashion, Nation and Morality in English Allegorical Costume Prints, c. 1620-40, Heather A. Hughes; "Bodies of Work in the ancien régime: the Costumes Grotesques by Nicolas I de Larmessin", Sarah Buck; The Color of the Orient: On Ottoman Costume Albums, European Print Culture, and Cross-Cultural Exchange, Elisabeth Fraser; On and off the Tram: Contemporary Types and Customs in Madrid's Illustrated and Satirical Press (1874-1898), Vanesa Rodríguez-Galindo; Staging Place; Venice: City of Fashion and Power in Giacomo Franco's Habiti d'huomini et donne venetiane (ca.1610), Eugenia Paulicelli; Costuming the Empire: A Study on the Production of Tributary Paintings at the Qianlong Court in Eighteenth-Century China, Yu-chih Lai; Enrique Díaz's Parade of Progress: Toward a Streamlined Mexican Future, Denise Birkhofer; Performing the Documentary; "True Types of the London Poor": Street Life in London's Transitional Typology, Emily Kathryn Morgan; The Myth of the Baiana in Nineteenth-Century Portrait Photography, Maya Jiménez; Circulating lo mexicano in Mauricio Yáñez's Postcards, Lynda Klich; It is written in their faces: Seri women and facial painting in photography, Deborah Dorotinsky; The Materials of Typology; Fashioning a Nation. Military dress in Peruvian Independence, 1821-1822, Natalia Majluf; From Global Traveler to Costumbrista Motif: The Mantón de Manila and the Appropriation of the Exotic, Tara Zanardi; Cloth, Clothing, and Colonial Power: France and West Africa at the Expositions , Victoria L. Rovine; Against "Fashion-Time:" Bernhard Willhelm, Regional Folk Dress and the Contemporary, Charlene K. Lau; Unmasking Stereotypes; Ambassadors à la turc: Assimilation and Dissimulation in Eighteenth-Century Images of French-Ottoman Diplomacy, Ashley Bruckbauer; The Transmediterranean Routes of Fashion: Between Material Expression and Artistic Representation, Leyla Belkaïd-Neri; Julio Galán and the Type: Fashioning a 'Border' Aesthetic, Teresa Eckmann
Table of Contents: Contributors; Introduction to Visual Typologies from the Early Modern to the Contemporary: Local Contexts and Global Practices, Tara Zanardi and Lynda Klich; Repeating, Borrowing, and Serializing the Type; Fashion, Nation and Morality in English Allegorical Costume Prints, c. 1620-40, Heather A. Hughes; "Bodies of Work in the ancien régime: the Costumes Grotesques by Nicolas I de Larmessin", Sarah Buck; The Color of the Orient: On Ottoman Costume Albums, European Print Culture, and Cross-Cultural Exchange, Elisabeth Fraser; On and off the Tram: Contemporary Types and Customs in Madrid's Illustrated and Satirical Press (1874-1898), Vanesa Rodríguez-Galindo; Staging Place; Venice: City of Fashion and Power in Giacomo Franco's Habiti d'huomini et donne venetiane (ca.1610), Eugenia Paulicelli; Costuming the Empire: A Study on the Production of Tributary Paintings at the Qianlong Court in Eighteenth-Century China, Yu-chih Lai; Enrique Díaz's Parade of Progress: Toward a Streamlined Mexican Future, Denise Birkhofer; Performing the Documentary; "True Types of the London Poor": Street Life in London's Transitional Typology, Emily Kathryn Morgan; The Myth of the Baiana in Nineteenth-Century Portrait Photography, Maya Jiménez; Circulating lo mexicano in Mauricio Yáñez's Postcards, Lynda Klich; It is written in their faces: Seri women and facial painting in photography, Deborah Dorotinsky; The Materials of Typology; Fashioning a Nation. Military dress in Peruvian Independence, 1821-1822, Natalia Majluf; From Global Traveler to Costumbrista Motif: The Mantón de Manila and the Appropriation of the Exotic, Tara Zanardi; Cloth, Clothing, and Colonial Power: France and West Africa at the Expositions , Victoria L. Rovine; Against "Fashion-Time:" Bernhard Willhelm, Regional Folk Dress and the Contemporary, Charlene K. Lau; Unmasking Stereotypes; Ambassadors à la turc: Assimilation and Dissimulation in Eighteenth-Century Images of French-Ottoman Diplomacy, Ashley Bruckbauer; The Transmediterranean Routes of Fashion: Between Material Expression and Artistic Representation, Leyla Belkaïd-Neri; Julio Galán and the Type: Fashioning a 'Border' Aesthetic, Teresa Eckmann
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