Sarah De Nardi is a lecturer in heritage and tourism at Western Sydney University and the co-editor of the Journal of Community Archaeology and Heritage. Her first monograph, The Poetics of Conflict Experience: Materiality and Embodiment in Second World War Italy (2016), revived landscape perception in Second World War Italy through hands-on oral histories with veterans.
Inhaltsangabe
Acknowledgements Introduction 1. Defining terms 2. Deep mapping as memory work: theoretical and methodological implications of heritage mapping 3. Imaginative engagement: the sleeping giant and the cursed hill 4. A town, divided: mapping the tense imaginaries of the 1943-1945 Italian civil war 5. Unlearning the body: liminal spaces, abject corpses and the historical imagination 6. Stories from Beamish Museum's '1950s Town' 7. Experiencing the mapping method in the field: a dialogic interlude 8. Moving forward: not a conclusion chapter List of Figures References Appendix Index
Acknowledgements Introduction 1. Defining terms 2. Deep mapping as memory work: theoretical and methodological implications of heritage mapping 3. Imaginative engagement: the sleeping giant and the cursed hill 4. A town, divided: mapping the tense imaginaries of the 1943-1945 Italian civil war 5. Unlearning the body: liminal spaces, abject corpses and the historical imagination 6. Stories from Beamish Museum's '1950s Town' 7. Experiencing the mapping method in the field: a dialogic interlude 8. Moving forward: not a conclusion chapter List of Figures References Appendix Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
