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Echoing and expanding the aims of the first volume, Visualities: Perspectives on Contemporary American Indian Film and Art, this second volume contains illuminating global Indigenous visualities concerning First Nations, Aboriginal Australian, Maori, and Sami peoples. This insightful collection of essays explores how identity is created and communicated through Indigenous film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work.

Produktbeschreibung
Echoing and expanding the aims of the first volume, Visualities: Perspectives on Contemporary American Indian Film and Art, this second volume contains illuminating global Indigenous visualities concerning First Nations, Aboriginal Australian, Maori, and Sami peoples. This insightful collection of essays explores how identity is created and communicated through Indigenous film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work.
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Autorenporträt
Denise K. Cummings is Associate Professor of critical media and cultural studies at Rollins College, where she also coordinates the film studies program and teaches courses in critical cinema and media studies, cultural studies, critical theory, and Native American film, media, and culture. She is coeditor of Seeing Red--Hollywood's Pixeled Skins: American Indians and Film and editor of Visualities: Perspectives on Contemporary American Indian Film and Art.