Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of visual and verbal communication in medieval medicine, pharmacy, and natural history. Analyzing images in works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, the essays ask: What counts as medical illustration in the Middle Ages? What purposes and audiences do these illustrations serve? How do images of natural objects, observed phenomena, and theoretical concepts…mehr
Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of visual and verbal communication in medieval medicine, pharmacy, and natural history. Analyzing images in works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, the essays ask: What counts as medical illustration in the Middle Ages? What purposes and audiences do these illustrations serve? How do images of natural objects, observed phenomena, and theoretical concepts amplify texts and convey complex cultural attitudes? Why do we regard some of these images as "medieval" productions while other exactly contemporary images strike us as typically "early modern" in character?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jean A. Givens is Associate Professor in History of Art at the University of Connecticut, Storrs, Connecticut, USA. Karen M. Reeds is an independent scholar in Princeton, New Jersey, USA, affiliated with the Princeton Research Forum and the National Coalition of Independent Scholars. Alain Touwaide is Historian of Sciences at the National Museum of Natural History at the Smithsonian Institution, Washington DC, USA
Inhaltsangabe
Contents: Introduction Jean A. Givens Karen M. Reeds Alain Touwaide; Image word and medicine in the Middle Ages Peter Murray Jones; Latin crusaders Byzantine herbals Alain Touwaide; The illuminated Tacuinum sanitatis manuscripts from northern Italy ca. 1380-1400: sources patrons and the creation of a new pictorial genre Cathleen Hoeniger; Erudition on display: the 'scientific' illustrations in Pico della Mirandola's manuscript of Pliny the Elder's Natural History Sarah Blake McHam; Reading and writing the illustrated Tractatus de herbis 1280-1526 Jean A. Givens; Leonardo da Vinci's anatomical studies in Milan: a re-examination of sites and sources Monica Azzolini; (Hu)moral exemplars: type and temperament in cinquecento painting Piers D. Britton; Leonardo da Vinci and botanical illustration: nature prints drawings and woodcuts ca. 1500 Karen M. Reeds; The uses of realism in early modern illustrated botany Claudia Swan; Index.
Contents: Introduction Jean A. Givens Karen M. Reeds Alain Touwaide; Image word and medicine in the Middle Ages Peter Murray Jones; Latin crusaders Byzantine herbals Alain Touwaide; The illuminated Tacuinum sanitatis manuscripts from northern Italy ca. 1380-1400: sources patrons and the creation of a new pictorial genre Cathleen Hoeniger; Erudition on display: the 'scientific' illustrations in Pico della Mirandola's manuscript of Pliny the Elder's Natural History Sarah Blake McHam; Reading and writing the illustrated Tractatus de herbis 1280-1526 Jean A. Givens; Leonardo da Vinci's anatomical studies in Milan: a re-examination of sites and sources Monica Azzolini; (Hu)moral exemplars: type and temperament in cinquecento painting Piers D. Britton; Leonardo da Vinci and botanical illustration: nature prints drawings and woodcuts ca. 1500 Karen M. Reeds; The uses of realism in early modern illustrated botany Claudia Swan; Index.
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