Vita nuova - Alighieri, Dante
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This bilingual edition of the Vita Nuova is the first facing-page translation of this text to be available in over 50 years. Dino S. Cervigni and Edward Vasta have translated Dante's lyrics into line-by-line free verse that seeks to reproduce Dante's lyrical complexities of meaning, form, and style. The three-part introduction covers Dante's life and work, the form and content of the Vita Nuova, and the theory and practice adopted for the translation. A full concordance with glossary of the Italian text and a detailed index to the English translation will assist Dante scholars, college students, and educated readers alike.…mehr

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Produktbeschreibung
This bilingual edition of the Vita Nuova is the first facing-page translation of this text to be available in over 50 years. Dino S. Cervigni and Edward Vasta have translated Dante's lyrics into line-by-line free verse that seeks to reproduce Dante's lyrical complexities of meaning, form, and style. The three-part introduction covers Dante's life and work, the form and content of the Vita Nuova, and the theory and practice adopted for the translation. A full concordance with glossary of the Italian text and a detailed index to the English translation will assist Dante scholars, college students, and educated readers alike.
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Autorenporträt
Durante di Alighiero degli Alighieri, commonly known by his pen name Dante Alighieri or simply as Dante, was an Italian poet. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language. In the Late Middle Ages, most poetry was written in Latin, making it accessible only to the most educated readers. In De vulgari eloquentia (On Eloquence in the Vernacular), however, Dante defended the use of the vernacular in literature. He would even write in the Tuscan dialect for works such as The New Life (1295) and the Divine Comedy; this highly unorthodox choice set a precedent that important later Italian writers such as Petrarch and Boccaccio would follow. Dante was instrumental in establishing the literature of Italy, and his depictions of Hell, Purgatory and Heaven provided inspiration for the larger body of Western art. He is cited as an influence on John Milton, Geoffrey Chaucer and Alfred Tennyson, among many others. In addition, the first use of the interlocking three-line rhyme scheme, or the terza rima, is attributed to him. He is described as the "father" of the Italian language, and in Italy, he is often referred to as il Sommo Poeta ("the Supreme Poet"). Dante, Petrarch, and Boccaccio are also called the tre corone ("three crowns") of Italian literature.