Examining over twenty key works of the period, Vital Crises in Italian Cinema identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini.
Examining over twenty key works of the period, Vital Crises in Italian Cinema identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
P. Adams Sitney is a Professor of Visual Art at Princeton University. He has taught at Bard College, New York University, The Cooper Union, The School of the Art Institute of Chicago, and the School of Visual Arts. He is the author of Visionary Film: The American Avan-Garde 1943-1200; Modernist Montage: The Obscurity of Vision in Film and Literature; and he edited the Film Culture Reader; The Essential Cinema; The Avant-Garde Film ; and Stan Brakhage's Metaphors on Vision. In 1969 he co-founded Anthology Film Archives in New York.
Inhaltsangabe
Preface 1. Introduction 2. Rossellini's Resistance 3. Visconti: The National Language, Dialect, and the Southern Question 4. De Sica's and Zavattini's Neopopulism 5. Between the Vital Crises 6. Annus Mirabilis 7. Antonioni's Psychoanalysis of the "Boom" 8. New Wave Neorealism: Pasolini, Olmi, Rosi 9. Conclusion Notes Index
Preface 1. Introduction 2. Rossellini's Resistance 3. Visconti: The National Language, Dialect, and the Southern Question 4. De Sica's and Zavattini's Neopopulism 5. Between the Vital Crises 6. Annus Mirabilis 7. Antonioni's Psychoanalysis of the "Boom" 8. New Wave Neorealism: Pasolini, Olmi, Rosi 9. Conclusion Notes Index
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