In a 1925 speech, Nabokov declared that 'everything in the world plays', including 'love, nature, the arts, and domestic puns.' Thomas Karshan draws on untranslated early writings and restricted archival material to argue that play is Nabokov's signature theme, and that his novels form one of the most sophisticated treatments of play ever achieved.
In a 1925 speech, Nabokov declared that 'everything in the world plays', including 'love, nature, the arts, and domestic puns.' Thomas Karshan draws on untranslated early writings and restricted archival material to argue that play is Nabokov's signature theme, and that his novels form one of the most sophisticated treatments of play ever achieved.
Thomas Karshan is a Lecturer in Literature at the University of East Anglia, and prior to that was a Kennedy Scholar at Harvard, a Junior Research Fellow at Christ Church, Oxford, and a Leverhulme Research Fellow at Queen Mary, University of London. He is the co-translator of Nabokov's first major work, The Tragedy of Mr. Morn, a five-act play, and the editor of Nabokov's Collected Poems. He has written for the London Review of Books , the Times Literary Supplement, Essays in Criticism, Modernism / Modernity , and Nabokov Studies.
Inhaltsangabe
Acknowledgements Table of Contents Translation, Transliteration, Style and Format References and Abbreviations Introduction 1: The Origins of Nabokov's Idea of Artistic Play 2: "Divine Games ": Nabokov between Faith and Make-Believe, 1918-1925 3: Cards and Chess: King, Queen, Knave and The Luzhin Defense 4: A Praise of Idleness? Nabokov between Work and Play, 1925-1940 5: Free Play and Childhood from The Gift to Ada 6: Pale Fire and the Genre of the Literary GamePale Fire and the Genre of the Literary Game Conclusion: Play and the Genesis of Secrecy Bibliography
Acknowledgements Table of Contents Translation, Transliteration, Style and Format References and Abbreviations Introduction 1: The Origins of Nabokov's Idea of Artistic Play 2: "Divine Games ": Nabokov between Faith and Make-Believe, 1918-1925 3: Cards and Chess: King, Queen, Knave and The Luzhin Defense 4: A Praise of Idleness? Nabokov between Work and Play, 1925-1940 5: Free Play and Childhood from The Gift to Ada 6: Pale Fire and the Genre of the Literary GamePale Fire and the Genre of the Literary Game Conclusion: Play and the Genesis of Secrecy Bibliography
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