Vladimir Sorokin is the most controversial contemporary Russian writer. He became famous when the Putin youth organization burned his books and he picked up neo-imperialist discourses in his dystopian novels, making him one of the fiercest critics of Russiäs ¿new middle ages,¿ while remaining steadfast in his dismantling of foreign discourses.
Vladimir Sorokin is the most controversial contemporary Russian writer. He became famous when the Putin youth organization burned his books and he picked up neo-imperialist discourses in his dystopian novels, making him one of the fiercest critics of Russiäs ¿new middle ages,¿ while remaining steadfast in his dismantling of foreign discourses.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dirk Uffelmann (PhD Konstanz, 1999; postdoctoral lecturing qualification Bremen, 2005) is Professor of East and West Slavic Literatures at Justus Liebig University Giessen, Hesse, Germany. He is the author of Russian Culturosophy (1999) and The Humiliated Christ¿Metaphors and Metonymies in Russian Culture and Literature (2010), both in German, and Polish Postcolonial Literature (forthcoming, in Polish). He coedited fourteen volumes (in English, German, and Russian), including Vladimir Sorokin¿s Languages (2013), the journal Zeitschrift für Slavische Philologie, and the book series Postcolonial Perspectives on Eastern Europe and Polonistik im Kontext. He has published over 120 articles on Russian, Polish, Czech, and Ukrainian literature, philosophy, religion, migration, masculinity, and internet studies.
Inhaltsangabe
Table of Contents Acknowledgements A Note on Transliteration, Translation, and Referencing Disclaimer 1. Introduction: The Late Soviet Union and Moscow s Artistic Underground 2. The Queue and Collective Speech 3. The Normand Socialist Realism 4. Marinäs Thirtieth Love and Dissident Narratives 5. A Novel and Classical Russian Literature 6. A Month in Dachau and Entangled Totalitarianisms 7. Sorokin s New Media Strategies and Civic Position in Post-Soviet Russia 8. Blue Lard and Pulp Fiction 9. Ice and Esoteric Fanaticism a New Sorokin? 10. Day of the Oprichnik and Political (Anti-)Utopias 11. The Blizzard and Self-References of a Meta-Classic 12. Manaraga and Reactionary Anti-Globalism 13. Discontinuity in Continuity: Prospects Bibliography Sorokin s Works in English Translation Sorokin s Works in Russian Significant Texts in Other Languages Research and Other Literature
Table of Contents Acknowledgements A Note on Transliteration, Translation, and Referencing Disclaimer 1. Introduction: The Late Soviet Union and Moscow s Artistic Underground 2. The Queue and Collective Speech 3. The Normand Socialist Realism 4. Marinäs Thirtieth Love and Dissident Narratives 5. A Novel and Classical Russian Literature 6. A Month in Dachau and Entangled Totalitarianisms 7. Sorokin s New Media Strategies and Civic Position in Post-Soviet Russia 8. Blue Lard and Pulp Fiction 9. Ice and Esoteric Fanaticism a New Sorokin? 10. Day of the Oprichnik and Political (Anti-)Utopias 11. The Blizzard and Self-References of a Meta-Classic 12. Manaraga and Reactionary Anti-Globalism 13. Discontinuity in Continuity: Prospects Bibliography Sorokin s Works in English Translation Sorokin s Works in Russian Significant Texts in Other Languages Research and Other Literature
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