Vocal Authority is about how singing styles develop and change, why classical singing is different from pop singing, and what singers actually mean when they sing. It takes a historical perspective, beginning with the ancient world, looking at changes in style up to the present day and why, for example, Freddie Mercury and Montserrat Caballe could sing together.
Vocal Authority is about how singing styles develop and change, why classical singing is different from pop singing, and what singers actually mean when they sing. It takes a historical perspective, beginning with the ancient world, looking at changes in style up to the present day and why, for example, Freddie Mercury and Montserrat Caballe could sing together.
John Potter is an Army chaplain, a Christian pastor, and a Religion professor. He has pastored churches in the Midwest since 2002. John has overseas deployment experience and has conducted over 100 suicide interventions for service members, veterans, and military families. Chaplain Potter has served on the Governor's Behavioral Health Services Planning Council Suicide Prevention Subcommittee; the Governor's Challenge to Prevent Suicide for Service Members, Veterans, & Families Initiative; and the American Association of Suicidology's Military & Veteran Committee. John is known for his scholarly acumen and pastor's heart. He is a popular suicide prevention trainer, speaker, and author who strongly believes that suicide is preventable, saving lives is possible, and that you can make a difference in the life of others. John studied at Kansas State University and Nazarene Theological Seminary before earning a Doctor of Ministry degree in Spiritual Formation from Azusa Pacific Seminary.
Inhaltsangabe
Preface Acknowledgements 1. Classical ideology and the pre-history of singing 2. The medieval period: religion, literacy and control 3. The Italian baroque revolution 4. The development of the modern voice 5. Concerts, choirs and music halls 6. Armstrong to Sinatra: swing and sub-text 7. Early music and the avant garde: twentieth-century fragmentation 8. Elvis Presley to rap: moments of change since the forties 9. Singing and social processes 10. Towards a theory of vocal style Notes List of references Index.
Preface Acknowledgements 1. Classical ideology and the pre-history of singing 2. The medieval period: religion, literacy and control 3. The Italian baroque revolution 4. The development of the modern voice 5. Concerts, choirs and music halls 6. Armstrong to Sinatra: swing and sub-text 7. Early music and the avant garde: twentieth-century fragmentation 8. Elvis Presley to rap: moments of change since the forties 9. Singing and social processes 10. Towards a theory of vocal style Notes List of references Index.
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