Vocal Music and Contemporary Identities
Unlimited Voices in East Asia and the West
Herausgeber: Utz, Christian; Lau, Frederick
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Vocal Music and Contemporary Identities
Unlimited Voices in East Asia and the West
Herausgeber: Utz, Christian; Lau, Frederick
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Looking at musical globalization and vocal music, this collection of essays studies the complex relationship between the human voice and cultural identity in 20th- and 21st-Century music in both East Asian and Western musical traditions.
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Looking at musical globalization and vocal music, this collection of essays studies the complex relationship between the human voice and cultural identity in 20th- and 21st-Century music in both East Asian and Western musical traditions.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 340
- Erscheinungstermin: 24. Mai 2017
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 458g
- ISBN-13: 9781138108035
- ISBN-10: 1138108030
- Artikelnr.: 57058407
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 340
- Erscheinungstermin: 24. Mai 2017
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 458g
- ISBN-13: 9781138108035
- ISBN-10: 1138108030
- Artikelnr.: 57058407
Christian Utz is Professor of music theory and music analysis at the University of Music and Dramatic Arts in Graz, Austria. Frederick Lau is a Professor of Ethnomusicology at the University of Hawai'i at Mānoa.
1. Introduction: Voice, Identities, and Reflexive Globalization in
Contemporary Music Practices Christian Utz and Frederick Lau Part 1: Global
Perspectives on the Voice 2. Presence and Ethicity of the Voice Dieter
Mersch 3. The Rediscovery of Presence: Intercultural Passages through Vocal
Spaces between Speech and Song Christian Utz 4. Imagining the Other's
Voice: On Composing across Vocal Traditions Sandeep Bhagwati Part 2: Voices
of/in Art Music 5. Voice, Culture, and Ethnicity in Contemporary Chinese
Compositions Frederick Lau 6. Narrative, Voice, and Reality in the Operas
by Hosokawa Toshio and Mochizuki Misato Fuyuko Fukunaka 7. Reconsidering
Traditional Vocal Practices in Contemporary Korean Music Heekyung Lee 8.
Escaped from Paradise? Construction of Identity and Elements of Ritual in
Vocal Works by Helmut Lachenmann and Giacinto Scelsi Jörn Peter Hiekel 9.
The Notation and Use of the Voice in Non-Semantic Contexts: Phonetic
Organization in the Vocal Music of Dieter Schnebel, Brian Ferneyhough, and
Georges Aperghis Erin Gee Part 3: Voices of/in Popular Music and Media Art
10. A "Digital Opera" at the Boundaries of Transnationalism: Human and
Synthesized Voices in Zuni Icosahedron's The Memory Palace of Matteo Ricci
Samson Young 11. "Voices of the Mainstream:"Red Songs and Revolutionary
Identities in the People's Republic of China Andreas Steen 12. Asagi's
Voice: Learning How to Desire with Japanese visual-kei Oliver Seibt 13.
Voicing Body, Voicing Seoul: Vocalization, Body, and Ethnicity in Korean
Popular Music Michael Fuhr 14. Afterword: Giving Voice to Difference
Nicholas Cook
Contemporary Music Practices Christian Utz and Frederick Lau Part 1: Global
Perspectives on the Voice 2. Presence and Ethicity of the Voice Dieter
Mersch 3. The Rediscovery of Presence: Intercultural Passages through Vocal
Spaces between Speech and Song Christian Utz 4. Imagining the Other's
Voice: On Composing across Vocal Traditions Sandeep Bhagwati Part 2: Voices
of/in Art Music 5. Voice, Culture, and Ethnicity in Contemporary Chinese
Compositions Frederick Lau 6. Narrative, Voice, and Reality in the Operas
by Hosokawa Toshio and Mochizuki Misato Fuyuko Fukunaka 7. Reconsidering
Traditional Vocal Practices in Contemporary Korean Music Heekyung Lee 8.
Escaped from Paradise? Construction of Identity and Elements of Ritual in
Vocal Works by Helmut Lachenmann and Giacinto Scelsi Jörn Peter Hiekel 9.
The Notation and Use of the Voice in Non-Semantic Contexts: Phonetic
Organization in the Vocal Music of Dieter Schnebel, Brian Ferneyhough, and
Georges Aperghis Erin Gee Part 3: Voices of/in Popular Music and Media Art
10. A "Digital Opera" at the Boundaries of Transnationalism: Human and
Synthesized Voices in Zuni Icosahedron's The Memory Palace of Matteo Ricci
Samson Young 11. "Voices of the Mainstream:"Red Songs and Revolutionary
Identities in the People's Republic of China Andreas Steen 12. Asagi's
Voice: Learning How to Desire with Japanese visual-kei Oliver Seibt 13.
Voicing Body, Voicing Seoul: Vocalization, Body, and Ethnicity in Korean
Popular Music Michael Fuhr 14. Afterword: Giving Voice to Difference
Nicholas Cook
1. Introduction: Voice, Identities, and Reflexive Globalization in
Contemporary Music Practices Christian Utz and Frederick Lau Part 1: Global
Perspectives on the Voice 2. Presence and Ethicity of the Voice Dieter
Mersch 3. The Rediscovery of Presence: Intercultural Passages through Vocal
Spaces between Speech and Song Christian Utz 4. Imagining the Other's
Voice: On Composing across Vocal Traditions Sandeep Bhagwati Part 2: Voices
of/in Art Music 5. Voice, Culture, and Ethnicity in Contemporary Chinese
Compositions Frederick Lau 6. Narrative, Voice, and Reality in the Operas
by Hosokawa Toshio and Mochizuki Misato Fuyuko Fukunaka 7. Reconsidering
Traditional Vocal Practices in Contemporary Korean Music Heekyung Lee 8.
Escaped from Paradise? Construction of Identity and Elements of Ritual in
Vocal Works by Helmut Lachenmann and Giacinto Scelsi Jörn Peter Hiekel 9.
The Notation and Use of the Voice in Non-Semantic Contexts: Phonetic
Organization in the Vocal Music of Dieter Schnebel, Brian Ferneyhough, and
Georges Aperghis Erin Gee Part 3: Voices of/in Popular Music and Media Art
10. A "Digital Opera" at the Boundaries of Transnationalism: Human and
Synthesized Voices in Zuni Icosahedron's The Memory Palace of Matteo Ricci
Samson Young 11. "Voices of the Mainstream:"Red Songs and Revolutionary
Identities in the People's Republic of China Andreas Steen 12. Asagi's
Voice: Learning How to Desire with Japanese visual-kei Oliver Seibt 13.
Voicing Body, Voicing Seoul: Vocalization, Body, and Ethnicity in Korean
Popular Music Michael Fuhr 14. Afterword: Giving Voice to Difference
Nicholas Cook
Contemporary Music Practices Christian Utz and Frederick Lau Part 1: Global
Perspectives on the Voice 2. Presence and Ethicity of the Voice Dieter
Mersch 3. The Rediscovery of Presence: Intercultural Passages through Vocal
Spaces between Speech and Song Christian Utz 4. Imagining the Other's
Voice: On Composing across Vocal Traditions Sandeep Bhagwati Part 2: Voices
of/in Art Music 5. Voice, Culture, and Ethnicity in Contemporary Chinese
Compositions Frederick Lau 6. Narrative, Voice, and Reality in the Operas
by Hosokawa Toshio and Mochizuki Misato Fuyuko Fukunaka 7. Reconsidering
Traditional Vocal Practices in Contemporary Korean Music Heekyung Lee 8.
Escaped from Paradise? Construction of Identity and Elements of Ritual in
Vocal Works by Helmut Lachenmann and Giacinto Scelsi Jörn Peter Hiekel 9.
The Notation and Use of the Voice in Non-Semantic Contexts: Phonetic
Organization in the Vocal Music of Dieter Schnebel, Brian Ferneyhough, and
Georges Aperghis Erin Gee Part 3: Voices of/in Popular Music and Media Art
10. A "Digital Opera" at the Boundaries of Transnationalism: Human and
Synthesized Voices in Zuni Icosahedron's The Memory Palace of Matteo Ricci
Samson Young 11. "Voices of the Mainstream:"Red Songs and Revolutionary
Identities in the People's Republic of China Andreas Steen 12. Asagi's
Voice: Learning How to Desire with Japanese visual-kei Oliver Seibt 13.
Voicing Body, Voicing Seoul: Vocalization, Body, and Ethnicity in Korean
Popular Music Michael Fuhr 14. Afterword: Giving Voice to Difference
Nicholas Cook