This collection studies comparatively the connections and relationships between Vodou and African traditional religions such as Yoruba religion and Egyptian religion. Vodou is also studied from multiple theoretical approaches including queer, feminist theory, critical race theory, Marxism, postcolonial criticism, postmodernism, and psychoanalysis.
This collection studies comparatively the connections and relationships between Vodou and African traditional religions such as Yoruba religion and Egyptian religion. Vodou is also studied from multiple theoretical approaches including queer, feminist theory, critical race theory, Marxism, postcolonial criticism, postmodernism, and psychoanalysis.
Celucien L. Joseph is assistant professor of English at Indian River State College. Nixon S. Cleophat is assistant professor of religion at Indiana University of Pennsylvania.
Inhaltsangabe
Introduction: Contemporary and Transnational Vodou, and the African Perspective Celucien L. Joseph and Nixon Cleophat Part I. Vodou, Anthropology, Art, Performance, and the Black Diaspora 1.Roots / Routes / Rasin: Rural Vodou and the Sacred Tree as Metaphor for the Multiplicity of Styles in Folkloric Dance and Mizik Rasin Ann E. Mazzocca 2.Circling the Cosmogram: Vodou Aesthetics, Feminism, and Queer Art in the Second-Generation Haitian Dyaspora Kantara Souffrant 3.Dancing Difference and Disruption: Vodou Liturgy and Little Haiti on the Hill in "Seven Guitars" Barbara Lewis 4.Decoding Dress: Vodou, Cloth and Colonial Resistance in Pre- and Postrevolutionary Haiti Charlotte Hammond Part II. Vodou and African Traditional Religions 5.The African Origin of Haitian Vodou: From the Nile Valley to the Haitian Valleys Patrick Delices 6.New World/Old World Vodun , Creolité, and the Alter-Renaissance Bronwyn Mills 7.The vibratory art of Haiti: a Yoruba heritage Patricia Marie-Emmanuelle Donatien 8.Ethnographic Interpretations of Traditional African Religious Practices and Haitian Vodou Ceremonial Rites in Zora Neale Hurston's (1938) Tell My Horse: Voodoo and Life in Haiti and Maya Deren's (1983) Divine Horsemen: The Living Gods of Haiti Tammie Jenkins 9.Oversouls and Egregores in Haitian Vodou Patricia Scheu (Mambo Vye Zo Komande LaMenfo) 10. Arabian Religion, Islam and Haitian Vodou: The "Recent African Single-Origin Hypothesis" and the Comparison of World Religions Benjamin Hebblethwaite and Michel Weber
Introduction: Contemporary and Transnational Vodou, and the African Perspective Celucien L. Joseph and Nixon Cleophat Part I. Vodou, Anthropology, Art, Performance, and the Black Diaspora 1.Roots / Routes / Rasin: Rural Vodou and the Sacred Tree as Metaphor for the Multiplicity of Styles in Folkloric Dance and Mizik Rasin Ann E. Mazzocca 2.Circling the Cosmogram: Vodou Aesthetics, Feminism, and Queer Art in the Second-Generation Haitian Dyaspora Kantara Souffrant 3.Dancing Difference and Disruption: Vodou Liturgy and Little Haiti on the Hill in "Seven Guitars" Barbara Lewis 4.Decoding Dress: Vodou, Cloth and Colonial Resistance in Pre- and Postrevolutionary Haiti Charlotte Hammond Part II. Vodou and African Traditional Religions 5.The African Origin of Haitian Vodou: From the Nile Valley to the Haitian Valleys Patrick Delices 6.New World/Old World Vodun , Creolité, and the Alter-Renaissance Bronwyn Mills 7.The vibratory art of Haiti: a Yoruba heritage Patricia Marie-Emmanuelle Donatien 8.Ethnographic Interpretations of Traditional African Religious Practices and Haitian Vodou Ceremonial Rites in Zora Neale Hurston's (1938) Tell My Horse: Voodoo and Life in Haiti and Maya Deren's (1983) Divine Horsemen: The Living Gods of Haiti Tammie Jenkins 9.Oversouls and Egregores in Haitian Vodou Patricia Scheu (Mambo Vye Zo Komande LaMenfo) 10. Arabian Religion, Islam and Haitian Vodou: The "Recent African Single-Origin Hypothesis" and the Comparison of World Religions Benjamin Hebblethwaite and Michel Weber
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