Richard Couzins is a researcher, writer and practising artist, making and exhibiting work both as a solo artist and collaboratively. His research interests include moving image, the human voice in artistic practice, song, photography in contemporary art and the relationship between the avant-garde, early cinema and music hall.
Inhaltsangabe
Acknowledgements Introduction 1. One Hundred Years of Voice in Art Practice 2. Dramaturgical Performances, Documentary Utterances and Vocal Objects 3. Art, Emotion, and the Location of Voices 4. Phenomenology of Voice 5. Plural Voices: Postmodernity, Subjectivity and Sampling 6. Listening to Voice Conclusion: Voice and Contemporary Practice
Acknowledgements; Introduction; 1. One Hundred Years of Voice in Art Practice; 2. Dramaturgical Performances, Documentary Utterances and Vocal Objects; 3. Art, Emotion, and the Location of Voices; 4. Phenomenology of Voice; 5. Plural Voices: Postmodernity, Subjectivity and Sampling; 6. Listening to Voice; Conclusion: Voice and Contemporary Practice
Acknowledgements Introduction 1. One Hundred Years of Voice in Art Practice 2. Dramaturgical Performances, Documentary Utterances and Vocal Objects 3. Art, Emotion, and the Location of Voices 4. Phenomenology of Voice 5. Plural Voices: Postmodernity, Subjectivity and Sampling 6. Listening to Voice Conclusion: Voice and Contemporary Practice
Acknowledgements; Introduction; 1. One Hundred Years of Voice in Art Practice; 2. Dramaturgical Performances, Documentary Utterances and Vocal Objects; 3. Art, Emotion, and the Location of Voices; 4. Phenomenology of Voice; 5. Plural Voices: Postmodernity, Subjectivity and Sampling; 6. Listening to Voice; Conclusion: Voice and Contemporary Practice
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