Voice Studies

Critical Approaches to Process, Performance and Experience
Herausgeber: Thomaidis, Konstantinos; Macpherson, Ben

• Gebundenes Buch

Produktbeschreibung

Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance. This dynamic and interdisciplinary publication draws on a broad range of approaches, from composing and voice teaching through to psychoanalysis and philosophy. With contributions spanning six continents, the volume considers the processes of teaching or writing for voice, the performance of voice in theatre, live art, music, and on recordings, and the experience of voice in acoustic perception and research. It concludes with a multifaceted series of short provocations that simply revisit the core question of the whole volume: what is voice studies?

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 226
• Erscheinungstermin: 29. Juni 2015
• Englisch
• Abmessung: 234mm x 156mm x 16mm
• Gewicht: 531g
• ISBN-13: 9781138809345
• ISBN-10: 1138809349
• Artikelnr.: 41854501

Autorenporträt

Konstantinos Thomaidis is a Lecturer in Drama and Theatre at the University of Portsmouth. He is joint founder of the Centre for Interdisciplinary Voice Studies, co-convenes the Performer Training working group at TaPRA and is founding editor of the Journal of Interdisciplinary Voice Studies. Ben Macpherson is Senior Lecturer and Course Leader for Musical Theatre at the University of Portsmouth. He is joint founder of the Centre for Interdisciplinary Voice Studies, a founding editor of the Journal of Interdisciplinary Voice Studies and composer of musical theatre.

Inhaltsangabe

Foreword - Paul Barker Part 1: Introducing Voice Studies Introduction:
voice(s) as a method and an in-between - Ben Macpherson and Konstantinos
Thomaidis 1. The Re-vocalization of Logos? Thinking, doing and
disseminating voice - Konstantinos Thomaidis Part 2: Voice in Training and
Process 2. The Singularity of Experience in the Voice Studio: a dialogue
with Michel Henry - Päivi Järviö 3.Learning to Let Go: control and freedom
in the passaggio - Tim Kjeldsen 4. Training Actors' Voices: towards an
intercultural/interdisciplinary approach - Tara McAllister-Viel 5. A Sea of
Honey: the speaking voice in the Javanese shadow puppet theatreJ - an
Mrázek Part 3: Voice in Performance 6. Nonsense: towards a vocal conceptual
compass for art - Mikhail Karikis 7. Performing the Entre-Deux: the capture
of speech in (dis)embodied voices - Piersandra Di Matteo 8. Sensing Voice:
materiality and the lived body in singing and listening philosophy - Nina
Sun Eidsheim 9. Lamenting (with the) "Others," "Lamenting our Failure to
Lament"? An auto-ethnographic account of the vocal expression of loss -
Marios Chatziprokopiou 10. Enchanted Voices: voice in Australian sound art
- Norie Neumark Part 4: Voice in Experience and Documentation 11. "Body
Musicality": the visual, virtual, visceral voice - Ben Macpherson 12.
Transcribing Vocality: voice at the border of music after modernism -
Pamela Karantonis 13. Strange Objects/Strange Properties: female audibility
and the acoustic stage prop - Ella Finer 14. The Eavesdropper: listening-in
and overhearing the voice in performance - Johanna Linsley Part 5: A
Polyphonic Conclusion 15. What is Voice Studies? - Ben Macpherson, George
Burrows, Diana Van Lancker Sidtis, Yvon Bonenfant, Lyn Darnley, Amanda
Smallbone, Nina Sun Eidsheim, 'Femi Adedeji, Jaros¿aw Fret, Konstantinos
Thomaidis