Voices of Resistance
Interdisciplinary Approaches to Chican@ Children's Literature
Herausgeber: Alamillo, Laura; Herrera, Cristina; Mercado-Lopez, Larissa M.
Voices of Resistance
Interdisciplinary Approaches to Chican@ Children's Literature
Herausgeber: Alamillo, Laura; Herrera, Cristina; Mercado-Lopez, Larissa M.
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This edited volume offers an interdisciplinary and expansive analysis of Chican@ children's literature in light of current political, social, and cultural trends.
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This edited volume offers an interdisciplinary and expansive analysis of Chican@ children's literature in light of current political, social, and cultural trends.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: RLPG/Galleys
- Seitenzahl: 210
- Erscheinungstermin: 12. Dezember 2017
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 349g
- ISBN-13: 9781475834048
- ISBN-10: 1475834047
- Artikelnr.: 49011805
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
- Verlag: RLPG/Galleys
- Seitenzahl: 210
- Erscheinungstermin: 12. Dezember 2017
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 349g
- ISBN-13: 9781475834048
- ISBN-10: 1475834047
- Artikelnr.: 49011805
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Laura Alamillo, received her PhD from the University of California at Berkeley in Language, Literacy and Culture. She is currently a Professor in Literacy, Early Childhood, Bilingual and Special Education Department at Fresno State. Her research includes looking at the education of emergent bilingual children specifically at humanizing and culturally sustaining teaching practices in multlingual classrooms. Larissa M. Mercado-López received her PhD in Latina Literature from the University of Texas at San Antonio and is currently an associate professor of Women's Studies at California State University, Fresno, and children's book writer.. Her research focuses on Chicana feminisms, Tejana literature, and intersectional feminist fitness studies. Cristina Herrera holds a PhD in Literature from Claremont Graduate University and is associate professor and chair of Chicano and Latin American Studies at California State University, Fresno. She has published on Chicana literature, motherhood, and young adult literature, among other topics.
Foreword- U.S. Poet Laureate Juan Felipe Herrera Introduction Section One:
Tracing Chican@ Identity and Consciousness Chapter 1- Entre Tejana y
Chicana: Tracing Proto-Chicana Identity and Consciousness in Tejana Young
Adult Fiction and Poetry Larissa M. Mercado-Lopez Chapter 2- Imagineering a
Mexican American Girl: Josefina Montoya (1824) Patricia Trujillo Chapter 3-
A Bone to Pick: Día de los Muertos in Children's Literature Roxana Loza and
Tanya González Chapter 4- Águila: Personal Reflections on Reading Chicanx
Picturebooks from the Inside Out Lettycia Terrones Section Two: Negotiating
Gender and Sexuality Chapter 5- A Portrait of the Artist as a Muchachito:
Sense, Sensibility, and the Poetic Transcendence of Masculinity in Juan
Felipe Herrera's Downtown Boy Phillip Serrato Chapter 6- Not So Sweet
Quince: Teenage Angst and Mother-Daughter Strife in Belinda Acosta's Young
Adult Novel, Damas, Dramas, and Ana Ruiz Cristina Herrera Chapter 7- You
wanna be a chump/or a champ?: Constructions of Masculinity, Absent Fathers,
and Conocimiento in Juan Felipe Herrera's Downtown Boy Sonia Alejandra
Rodriguez Chapter 8- Phantasmagoric Eroticisms: Imagining Queertopias in
Chicana/o Children's Literature Cecilia Aragon Section Three:
Transformative Pedagogies: Reflections from Inside and Outside the
Classroom Chapter 9- Chillante Pedagogy, 'She Worlds,' and Testimonio as
Text/Image: Toward a Chicana Feminist Pedagogy in the works of Maya
Christina Gonzalez Elena Aviles Chapter 10- Was it All a Dream? Chicana/o
Children and Mestiza Consciousness in Super Cilantro Girl (2003) and Tata's
Gift (2014) Katherine Elizabeth Bundy Chapter 11- Translanguaging con mi
abuela: Chican@ Children's Literature as a Means to Elevate Language
Practices in Our Homes Laura Alamillo Chapter 12- Identity Texts in
Linguistically and Culturally Sustaining Classrooms: Chican@ Children's
Literature, Student Voice and Belonging Lilian Cibils, Virginia Gallegos,
Enrique Avalos, and Fabian Martinez
Tracing Chican@ Identity and Consciousness Chapter 1- Entre Tejana y
Chicana: Tracing Proto-Chicana Identity and Consciousness in Tejana Young
Adult Fiction and Poetry Larissa M. Mercado-Lopez Chapter 2- Imagineering a
Mexican American Girl: Josefina Montoya (1824) Patricia Trujillo Chapter 3-
A Bone to Pick: Día de los Muertos in Children's Literature Roxana Loza and
Tanya González Chapter 4- Águila: Personal Reflections on Reading Chicanx
Picturebooks from the Inside Out Lettycia Terrones Section Two: Negotiating
Gender and Sexuality Chapter 5- A Portrait of the Artist as a Muchachito:
Sense, Sensibility, and the Poetic Transcendence of Masculinity in Juan
Felipe Herrera's Downtown Boy Phillip Serrato Chapter 6- Not So Sweet
Quince: Teenage Angst and Mother-Daughter Strife in Belinda Acosta's Young
Adult Novel, Damas, Dramas, and Ana Ruiz Cristina Herrera Chapter 7- You
wanna be a chump/or a champ?: Constructions of Masculinity, Absent Fathers,
and Conocimiento in Juan Felipe Herrera's Downtown Boy Sonia Alejandra
Rodriguez Chapter 8- Phantasmagoric Eroticisms: Imagining Queertopias in
Chicana/o Children's Literature Cecilia Aragon Section Three:
Transformative Pedagogies: Reflections from Inside and Outside the
Classroom Chapter 9- Chillante Pedagogy, 'She Worlds,' and Testimonio as
Text/Image: Toward a Chicana Feminist Pedagogy in the works of Maya
Christina Gonzalez Elena Aviles Chapter 10- Was it All a Dream? Chicana/o
Children and Mestiza Consciousness in Super Cilantro Girl (2003) and Tata's
Gift (2014) Katherine Elizabeth Bundy Chapter 11- Translanguaging con mi
abuela: Chican@ Children's Literature as a Means to Elevate Language
Practices in Our Homes Laura Alamillo Chapter 12- Identity Texts in
Linguistically and Culturally Sustaining Classrooms: Chican@ Children's
Literature, Student Voice and Belonging Lilian Cibils, Virginia Gallegos,
Enrique Avalos, and Fabian Martinez
Foreword- U.S. Poet Laureate Juan Felipe Herrera Introduction Section One:
Tracing Chican@ Identity and Consciousness Chapter 1- Entre Tejana y
Chicana: Tracing Proto-Chicana Identity and Consciousness in Tejana Young
Adult Fiction and Poetry Larissa M. Mercado-Lopez Chapter 2- Imagineering a
Mexican American Girl: Josefina Montoya (1824) Patricia Trujillo Chapter 3-
A Bone to Pick: Día de los Muertos in Children's Literature Roxana Loza and
Tanya González Chapter 4- Águila: Personal Reflections on Reading Chicanx
Picturebooks from the Inside Out Lettycia Terrones Section Two: Negotiating
Gender and Sexuality Chapter 5- A Portrait of the Artist as a Muchachito:
Sense, Sensibility, and the Poetic Transcendence of Masculinity in Juan
Felipe Herrera's Downtown Boy Phillip Serrato Chapter 6- Not So Sweet
Quince: Teenage Angst and Mother-Daughter Strife in Belinda Acosta's Young
Adult Novel, Damas, Dramas, and Ana Ruiz Cristina Herrera Chapter 7- You
wanna be a chump/or a champ?: Constructions of Masculinity, Absent Fathers,
and Conocimiento in Juan Felipe Herrera's Downtown Boy Sonia Alejandra
Rodriguez Chapter 8- Phantasmagoric Eroticisms: Imagining Queertopias in
Chicana/o Children's Literature Cecilia Aragon Section Three:
Transformative Pedagogies: Reflections from Inside and Outside the
Classroom Chapter 9- Chillante Pedagogy, 'She Worlds,' and Testimonio as
Text/Image: Toward a Chicana Feminist Pedagogy in the works of Maya
Christina Gonzalez Elena Aviles Chapter 10- Was it All a Dream? Chicana/o
Children and Mestiza Consciousness in Super Cilantro Girl (2003) and Tata's
Gift (2014) Katherine Elizabeth Bundy Chapter 11- Translanguaging con mi
abuela: Chican@ Children's Literature as a Means to Elevate Language
Practices in Our Homes Laura Alamillo Chapter 12- Identity Texts in
Linguistically and Culturally Sustaining Classrooms: Chican@ Children's
Literature, Student Voice and Belonging Lilian Cibils, Virginia Gallegos,
Enrique Avalos, and Fabian Martinez
Tracing Chican@ Identity and Consciousness Chapter 1- Entre Tejana y
Chicana: Tracing Proto-Chicana Identity and Consciousness in Tejana Young
Adult Fiction and Poetry Larissa M. Mercado-Lopez Chapter 2- Imagineering a
Mexican American Girl: Josefina Montoya (1824) Patricia Trujillo Chapter 3-
A Bone to Pick: Día de los Muertos in Children's Literature Roxana Loza and
Tanya González Chapter 4- Águila: Personal Reflections on Reading Chicanx
Picturebooks from the Inside Out Lettycia Terrones Section Two: Negotiating
Gender and Sexuality Chapter 5- A Portrait of the Artist as a Muchachito:
Sense, Sensibility, and the Poetic Transcendence of Masculinity in Juan
Felipe Herrera's Downtown Boy Phillip Serrato Chapter 6- Not So Sweet
Quince: Teenage Angst and Mother-Daughter Strife in Belinda Acosta's Young
Adult Novel, Damas, Dramas, and Ana Ruiz Cristina Herrera Chapter 7- You
wanna be a chump/or a champ?: Constructions of Masculinity, Absent Fathers,
and Conocimiento in Juan Felipe Herrera's Downtown Boy Sonia Alejandra
Rodriguez Chapter 8- Phantasmagoric Eroticisms: Imagining Queertopias in
Chicana/o Children's Literature Cecilia Aragon Section Three:
Transformative Pedagogies: Reflections from Inside and Outside the
Classroom Chapter 9- Chillante Pedagogy, 'She Worlds,' and Testimonio as
Text/Image: Toward a Chicana Feminist Pedagogy in the works of Maya
Christina Gonzalez Elena Aviles Chapter 10- Was it All a Dream? Chicana/o
Children and Mestiza Consciousness in Super Cilantro Girl (2003) and Tata's
Gift (2014) Katherine Elizabeth Bundy Chapter 11- Translanguaging con mi
abuela: Chican@ Children's Literature as a Means to Elevate Language
Practices in Our Homes Laura Alamillo Chapter 12- Identity Texts in
Linguistically and Culturally Sustaining Classrooms: Chican@ Children's
Literature, Student Voice and Belonging Lilian Cibils, Virginia Gallegos,
Enrique Avalos, and Fabian Martinez