Katalin Nun, Jon Stewart
Volume 16, Tome I
Kierkegaard's Literary Figures and Motifs: Agamemnon to Guadalquivir
Katalin Nun, Jon Stewart
Volume 16, Tome I
Kierkegaard's Literary Figures and Motifs: Agamemnon to Guadalquivir
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While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings
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While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 328
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 458g
- ISBN-13: 9781032098951
- ISBN-10: 1032098953
- Artikelnr.: 62148944
- Verlag: Taylor & Francis
- Seitenzahl: 328
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 458g
- ISBN-13: 9781032098951
- ISBN-10: 1032098953
- Artikelnr.: 62148944
Katalin Nun and Jon Stewart are both based in the Sÿren Kierkegaard Research Centre, the University of Copenhagen, Denmark.
Contents: Preface; Agamemnon: from ancient tragic hero to modern ethical archetype
Laura Liva; Agnes and the merman: Abraham as monster
Nathaniel Kramer; Aladdin: the audacity of wildest wishes
Jennifer Veninga; Amor: god of love - Psyche's seducer
Frances Maughan-Brown; Antigone: the tragic art of either/or
Shoni Rancher; Ariadne: Kierkegaard's view on women
life and remorse
Filipa Afonso; Marie Beaumarchais: Kierkegaard's account of feminine sorrow
Susana Janic; Bluebeard: demoniac or tragic hero?
Ian W. Panth; Captain Scipio: the recollection of Phister's portrayal as the comic par excellence
Timothy Stock; Cerberus: deceiving a watchdog and relying on God
Filipa Afonso; Clavigo: a little tale about the sense of guilt
Antonella Fimiani; Coach horn: Kierkegaard's ambivalent valedictory to a disappearing instrument
Wolter Hartog; Desdemona: the ill-starred heroine of indirect communication
Ana Pinto Leite; Diotima: teacher of Socrates and Kierkegaard's advocate for the mythical
Harald Steffes; Don Juan (Don Giovanni): seduction and its absolute medium in music
Jacobo Zabalo; Don Quixote: Kierkegaard and the relation between knight-errant and truth-witness
Christopher B. Barnett; Donna Elvira: the colossal feminine character
from donna abbandonata to the embodiment of modern sorrow
Sara Ellen Eckerson; Elves
trolls
and nisses: the relevance of supernatural creatures to aestheticism
philosophical rationalism
and the Christian faith
Will Williams; Erasmus Montanus: the tragi-comic victim of the crowd
Julie K. Allen; Faust: the seduction of doubt
Leonardo F. Lisi; The Fenris wolf: unreal fetters and real forces in Søren Kierkegaard's authorship
Henrike Fürstenberg; Figaro: the character and the opera he represents
Sara Ellen Eckerson; Furies: the phenomenal representation of guilt
Laura Liva; Gadfly: Kierkegaard's relation to Socrates
Hjördis Becker-Lindenthal; Guadalquivir: Kierkegaard's subterranean fluvial pseudonymity
Eric Ziolkowski; Indexes.
Laura Liva; Agnes and the merman: Abraham as monster
Nathaniel Kramer; Aladdin: the audacity of wildest wishes
Jennifer Veninga; Amor: god of love - Psyche's seducer
Frances Maughan-Brown; Antigone: the tragic art of either/or
Shoni Rancher; Ariadne: Kierkegaard's view on women
life and remorse
Filipa Afonso; Marie Beaumarchais: Kierkegaard's account of feminine sorrow
Susana Janic; Bluebeard: demoniac or tragic hero?
Ian W. Panth; Captain Scipio: the recollection of Phister's portrayal as the comic par excellence
Timothy Stock; Cerberus: deceiving a watchdog and relying on God
Filipa Afonso; Clavigo: a little tale about the sense of guilt
Antonella Fimiani; Coach horn: Kierkegaard's ambivalent valedictory to a disappearing instrument
Wolter Hartog; Desdemona: the ill-starred heroine of indirect communication
Ana Pinto Leite; Diotima: teacher of Socrates and Kierkegaard's advocate for the mythical
Harald Steffes; Don Juan (Don Giovanni): seduction and its absolute medium in music
Jacobo Zabalo; Don Quixote: Kierkegaard and the relation between knight-errant and truth-witness
Christopher B. Barnett; Donna Elvira: the colossal feminine character
from donna abbandonata to the embodiment of modern sorrow
Sara Ellen Eckerson; Elves
trolls
and nisses: the relevance of supernatural creatures to aestheticism
philosophical rationalism
and the Christian faith
Will Williams; Erasmus Montanus: the tragi-comic victim of the crowd
Julie K. Allen; Faust: the seduction of doubt
Leonardo F. Lisi; The Fenris wolf: unreal fetters and real forces in Søren Kierkegaard's authorship
Henrike Fürstenberg; Figaro: the character and the opera he represents
Sara Ellen Eckerson; Furies: the phenomenal representation of guilt
Laura Liva; Gadfly: Kierkegaard's relation to Socrates
Hjördis Becker-Lindenthal; Guadalquivir: Kierkegaard's subterranean fluvial pseudonymity
Eric Ziolkowski; Indexes.
Contents: Preface; Agamemnon: from ancient tragic hero to modern ethical archetype
Laura Liva; Agnes and the merman: Abraham as monster
Nathaniel Kramer; Aladdin: the audacity of wildest wishes
Jennifer Veninga; Amor: god of love - Psyche's seducer
Frances Maughan-Brown; Antigone: the tragic art of either/or
Shoni Rancher; Ariadne: Kierkegaard's view on women
life and remorse
Filipa Afonso; Marie Beaumarchais: Kierkegaard's account of feminine sorrow
Susana Janic; Bluebeard: demoniac or tragic hero?
Ian W. Panth; Captain Scipio: the recollection of Phister's portrayal as the comic par excellence
Timothy Stock; Cerberus: deceiving a watchdog and relying on God
Filipa Afonso; Clavigo: a little tale about the sense of guilt
Antonella Fimiani; Coach horn: Kierkegaard's ambivalent valedictory to a disappearing instrument
Wolter Hartog; Desdemona: the ill-starred heroine of indirect communication
Ana Pinto Leite; Diotima: teacher of Socrates and Kierkegaard's advocate for the mythical
Harald Steffes; Don Juan (Don Giovanni): seduction and its absolute medium in music
Jacobo Zabalo; Don Quixote: Kierkegaard and the relation between knight-errant and truth-witness
Christopher B. Barnett; Donna Elvira: the colossal feminine character
from donna abbandonata to the embodiment of modern sorrow
Sara Ellen Eckerson; Elves
trolls
and nisses: the relevance of supernatural creatures to aestheticism
philosophical rationalism
and the Christian faith
Will Williams; Erasmus Montanus: the tragi-comic victim of the crowd
Julie K. Allen; Faust: the seduction of doubt
Leonardo F. Lisi; The Fenris wolf: unreal fetters and real forces in Søren Kierkegaard's authorship
Henrike Fürstenberg; Figaro: the character and the opera he represents
Sara Ellen Eckerson; Furies: the phenomenal representation of guilt
Laura Liva; Gadfly: Kierkegaard's relation to Socrates
Hjördis Becker-Lindenthal; Guadalquivir: Kierkegaard's subterranean fluvial pseudonymity
Eric Ziolkowski; Indexes.
Laura Liva; Agnes and the merman: Abraham as monster
Nathaniel Kramer; Aladdin: the audacity of wildest wishes
Jennifer Veninga; Amor: god of love - Psyche's seducer
Frances Maughan-Brown; Antigone: the tragic art of either/or
Shoni Rancher; Ariadne: Kierkegaard's view on women
life and remorse
Filipa Afonso; Marie Beaumarchais: Kierkegaard's account of feminine sorrow
Susana Janic; Bluebeard: demoniac or tragic hero?
Ian W. Panth; Captain Scipio: the recollection of Phister's portrayal as the comic par excellence
Timothy Stock; Cerberus: deceiving a watchdog and relying on God
Filipa Afonso; Clavigo: a little tale about the sense of guilt
Antonella Fimiani; Coach horn: Kierkegaard's ambivalent valedictory to a disappearing instrument
Wolter Hartog; Desdemona: the ill-starred heroine of indirect communication
Ana Pinto Leite; Diotima: teacher of Socrates and Kierkegaard's advocate for the mythical
Harald Steffes; Don Juan (Don Giovanni): seduction and its absolute medium in music
Jacobo Zabalo; Don Quixote: Kierkegaard and the relation between knight-errant and truth-witness
Christopher B. Barnett; Donna Elvira: the colossal feminine character
from donna abbandonata to the embodiment of modern sorrow
Sara Ellen Eckerson; Elves
trolls
and nisses: the relevance of supernatural creatures to aestheticism
philosophical rationalism
and the Christian faith
Will Williams; Erasmus Montanus: the tragi-comic victim of the crowd
Julie K. Allen; Faust: the seduction of doubt
Leonardo F. Lisi; The Fenris wolf: unreal fetters and real forces in Søren Kierkegaard's authorship
Henrike Fürstenberg; Figaro: the character and the opera he represents
Sara Ellen Eckerson; Furies: the phenomenal representation of guilt
Laura Liva; Gadfly: Kierkegaard's relation to Socrates
Hjördis Becker-Lindenthal; Guadalquivir: Kierkegaard's subterranean fluvial pseudonymity
Eric Ziolkowski; Indexes.