Voyages of the Self in America completes Novak's trilogy on American art and culture. Novak shows through reading paintings and texts from the same period against each other, how the meaning of self has influenced and changed through American identity and culture from the late 18th through the 20th century. Novak draws a variety of new and insightful parallels between pairs such as John Singleton Copley and Jonathan Edwards, Fitz Hugh Lane and Ralph Waldo Emerson, Winslow Homer and William James, Frederic Edwin Church and Walt Whitman, Albert Ryder and Emily Dickinson, and Jackson Pollock and…mehr
Voyages of the Self in America completes Novak's trilogy on American art and culture. Novak shows through reading paintings and texts from the same period against each other, how the meaning of self has influenced and changed through American identity and culture from the late 18th through the 20th century. Novak draws a variety of new and insightful parallels between pairs such as John Singleton Copley and Jonathan Edwards, Fitz Hugh Lane and Ralph Waldo Emerson, Winslow Homer and William James, Frederic Edwin Church and Walt Whitman, Albert Ryder and Emily Dickinson, and Jackson Pollock and Charles Olson. Two of the basic threads that connect the work of all the artists are the American preoccupation with the "object" or "thing" and the continuing return to pragmatism, differentiating the American from the European traditions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Widely recognized as one of the most influential theorists of American art, Barbara Novak is the author of several scholarly books and articles, as well as two novels and a play. Novak received the Woman of Achievement Award from the Barnard Alumnae Association in 1985. She was honored with the College Art Association (CAA) Award for Distinguished Teaching of Art History in 1998, and the Archives of American Art Fleischman Award for Scholarly Contribution to American Art in 1999, among other awards, grants, and medals for her work. In addition, the Smithsonian's National Portrait Gallery, for which she served as Commissioner for about 25 years, recently established the Barbara Novak Acquisition Fund. She advises the Archives of American Art and National Academy of Design. Novak served on the editorial boards of American Art Journal and College Art Journal. She has served as a fellow at the Society of American Historians. Novak is currently Helen Goodhart Altschul Professor of Art History Emerita at Barnard College and Columbia University.
Inhaltsangabe
1: Copley and Edwards: Self, Consciousness, and Thing 2: Emerson and Lane: Luminist Time and the Transcendental Aboriginal Self 3: Thoreau and the Indian Self: Circles, Silence and Democratic Land 4: Whitman and Church: Transcendant Optimism and the Democratic Self 5: Homer and James: The Pragmatic Self made Concrete 6: Dickinson and Ryder: Immortality, Eternity and the Reclusive Self 7: Pollock and Olson: Time, Space, and the Activated Bodily Self
1: Copley and Edwards: Self, Consciousness, and Thing 2: Emerson and Lane: Luminist Time and the Transcendental Aboriginal Self 3: Thoreau and the Indian Self: Circles, Silence and Democratic Land 4: Whitman and Church: Transcendant Optimism and the Democratic Self 5: Homer and James: The Pragmatic Self made Concrete 6: Dickinson and Ryder: Immortality, Eternity and the Reclusive Self 7: Pollock and Olson: Time, Space, and the Activated Bodily Self
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