VVV (magazine)
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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. VVV was a magazine devoted to the dissemination of Surrealism, published in New York City from 1942 through 1944. Only four issues of VVV were ever produced (the second and third issues were printed as a single volume). However, it provided an outlet for European Surrealist artists, temporarily displaced from their home countries by World War II, to communicate with American artists. VVV was the direct product of the leading Surrealists of the day. The magazine was…mehr

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. VVV was a magazine devoted to the dissemination of Surrealism, published in New York City from 1942 through 1944. Only four issues of VVV were ever produced (the second and third issues were printed as a single volume). However, it provided an outlet for European Surrealist artists, temporarily displaced from their home countries by World War II, to communicate with American artists. VVV was the direct product of the leading Surrealists of the day. The magazine was edited by David Hare in collaboration with Marcel Duchamp, André Breton, and Max Ernst. VVV''s editorial board also enlisted a number of associated thinkers and artists, including Aimé Césaire, Philip Lamantia, and Robert Motherwell. Each edition focused on "poetry, plastic arts, anthropology, sociology, (and) psychology," and was lavishly illustrated by a wide range of Surrealist artists, including Giorgio de Chirico, Claude Lévi-Strauss, Roberto Matta, and Yves Tanguy.