In Waiting for Sweet Betty, Major watches the world with careful longing to capture the exchanges and conflicts between person and place. Just as a painter juxtaposes colors and shapes, Major does the same with words, often writing as an outsider in foreign places. He shifts perspective away from the self, allowing words to play off one another subtly -- with puns, inverted/subverted cliches, and sweet bop soundings -- so that his vision might become anyone's. His subtle, conversational style, is at once humble, playful, humorous, and studied, and his stories can be seen as well as heard.
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