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  • Broschiertes Buch

Dane and Tex Blake are brothers who share everything, including their love for weed, and their piety for crime. For money, and fun, they rob the homes of customers who drop their dogs off at the boarding business they work for, knowing they won't be home to report the crime for days. But when Dane is given an unexpected opportunity to escape his bipolar mother, and hot-headed brother, he battles with whether to accept it or not. Upon hearing the news that his big brother may be leaving him, Tex Blows up and immediately blames Asia, the love of Dane's life, for tearing them apart. Out of guilt…mehr

Produktbeschreibung
Dane and Tex Blake are brothers who share everything, including their love for weed, and their piety for crime. For money, and fun, they rob the homes of customers who drop their dogs off at the boarding business they work for, knowing they won't be home to report the crime for days. But when Dane is given an unexpected opportunity to escape his bipolar mother, and hot-headed brother, he battles with whether to accept it or not. Upon hearing the news that his big brother may be leaving him, Tex Blows up and immediately blames Asia, the love of Dane's life, for tearing them apart. Out of guilt Dane agrees to do one last heist with Tex, so that he and his mother would be financially secure before he leaves. But when the victim of their heist misses her flight, and is home at the time of the robbery, things heat up, especially when they discover that she's the mother of Mercury, a well known drug kingpin. Before long everything goes haywire. Dane's future is on the line and secrets from the past threaten the brothers' bond.
Autorenporträt
Demetrius Toteras or D. K. Toteras is a nom-de-plume. The author, a Greek American, was born in San Francisco in1935 and died in 2009. He was an underage soldier in the US army and saw active service in the early part of the Korean War. It is known that he spent some time in jail, and his first publication, Sunday They'll Make Me A Saint (1972), was a drama set in a prison and first performed by inmates of San Quentin. He left a body of psychological/philosophical reflections which remain unpublished, except for The Rape Of The Sleeping Woman And The Practice of Hypnagogic Sex (1995). He was extensively involved in music and in experimental theatre.