Jamaican dancehall has long been one of the most vital and influential cultural and artistic forces within contemporary global music. This title presents a comprehensive view of this musical and cultural phenomenon: its growth and historical role within Jamaican society, its economy of star making, and its technology of production.
Jamaican dancehall has long been one of the most vital and influential cultural and artistic forces within contemporary global music. This title presents a comprehensive view of this musical and cultural phenomenon: its growth and historical role within Jamaican society, its economy of star making, and its technology of production.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Norman C. Stolzoff, Ph.D. is president of Ethnographic Insight, Inc., a consumer anthropology and marketing research firm in Bellingham, Washington.
Inhaltsangabe
List of Illustrations xi Preface xiii Acknowledgments xxv 1 Dancehall Culture in Jamaica: An Introduction 1 2 "From Way Back When": The Dancehall from Slavery to World War II 20 3 "Talking Blues": The Rise of the Sound System 41 4 "Get Up, Stand Up": The Dancehall in Post-Independence Jamaica 65 5 The Dub Market: The Recording Studio and the Production of Dancehall Culture 115 6 "I'm Like a Gunshot Heading Toward a Target": The Career Trajectory of the Dancehall Entertainer 151 7 "Run Come Inna the Dance": The Dancehall Performance 193 8 The Politics of Dancehall Culture: A Conclusion 227 Notes 249 Bibliography 273 Index 285
List of Illustrations xi Preface xiii Acknowledgments xxv 1 Dancehall Culture in Jamaica: An Introduction 1 2 "From Way Back When": The Dancehall from Slavery to World War II 20 3 "Talking Blues": The Rise of the Sound System 41 4 "Get Up, Stand Up": The Dancehall in Post-Independence Jamaica 65 5 The Dub Market: The Recording Studio and the Production of Dancehall Culture 115 6 "I'm Like a Gunshot Heading Toward a Target": The Career Trajectory of the Dancehall Entertainer 151 7 "Run Come Inna the Dance": The Dancehall Performance 193 8 The Politics of Dancehall Culture: A Conclusion 227 Notes 249 Bibliography 273 Index 285
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