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Walker Evans (1903-1975) was one of the most important and influential artists of the twentieth century, producing a body of photographs that continues to shape our understanding of the modern era. He worked in every genre and format, in black & white and colour, but two passions were constant: literature and the printed page. While his photographic books are among the most influential in the medium s history, Evans s more ephemeral pages remain largely unknown. From small avant-garde publications to mainstream titles such as Harper s Bazaar, Vogue, Architectural Forum, Life and Fortune he…mehr

Produktbeschreibung
Walker Evans (1903-1975) was one of the most important and influential artists of the twentieth century, producing a body of photographs that continues to shape our understanding of the modern era. He worked in every genre and format, in black & white and colour, but two passions were constant: literature and the printed page. While his photographic books are among the most influential in the medium s history, Evans s more ephemeral pages remain largely unknown. From small avant-garde publications to mainstream titles such as Harper s Bazaar, Vogue, Architectural Forum, Life and Fortune he produced innovative and independent journalism, often setting his own assignments, editing, writing and designing his pages. Presenting many of his photo-essays in their entirety Walker Evans: the Magazine Work assembles the unwritten history of this work, allowing us to see how he protected his autonomy, earned a living and found audiences far beyond the museum and gallery.
Autorenporträt
Campany, David
David Campany ist Autor, Kurator und Dozent für Fotografie an der Universität von Westminster in London. Er veröffentlichte unter anderem Art and Photography (Phaidon, 2003), Photography and Cinema (Reaktion, 2008), ANONYMES: L'Amérique sans nom: photographies et cinéma (Steidl/ Le Bal, 2010) und Jeff Wall: Picture for Women (Afterall, MIT 2011). Seine Essays erschienen in zahlreichen Büchern. Er schreibt für Zeitschriften wie Aperture, Frieze, Photoworks, Source, The Oxford Art Journal, und das PA magazine.