Walking Through Elysium
Vergil's Underworld and the Poetics of Tradition
Herausgeber: Gladhill, Bill; Myers, Micah Y
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Walking Through Elysium
Vergil's Underworld and the Poetics of Tradition
Herausgeber: Gladhill, Bill; Myers, Micah Y
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Walking through Elysium traces Vergil’s influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized.
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Walking through Elysium traces Vergil’s influence on literary representations of underworlds, souls, afterlives, prophecies, journeys, and spaces, from sacred and profane to wild and civilized.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Seitenzahl: 320
- Erscheinungstermin: 6. April 2020
- Englisch
- Abmessung: 231mm x 155mm x 33mm
- Gewicht: 635g
- ISBN-13: 9781487505776
- ISBN-10: 1487505779
- Artikelnr.: 58297948
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University of Toronto Press
- Seitenzahl: 320
- Erscheinungstermin: 6. April 2020
- Englisch
- Abmessung: 231mm x 155mm x 33mm
- Gewicht: 635g
- ISBN-13: 9781487505776
- ISBN-10: 1487505779
- Artikelnr.: 58297948
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Edited by Bill Gladhill and Micah Young Myers
Introduction: Bill Gladhill, McGill University, and Micah Myers, Kenyon
College
1. Into the Woods
Alessandro Barchiesi, New York University
2. Statius’ Walking in Vergil’s Footsteps
Emily Pillinger, King’s College London
3. The Sibyl’s Cave and Visions of the Future
Maggie Kilgour, McGill University
4. Exploring the Forests of Antiquity: The Golden Bough in Early Modern
Literature
Matteo Soranzo, McGill University
5. Aeneas’ Steps
Miguel Herrero de Jáuregui, Universidad Complutense de Madrid
6. Vergil’s Underworld and the Afterlife of Love Poets
Micah Y. Myers, Kenyon College
7. Vergilian Underworlds in Ovid
Alison Keith, University of Toronto
8. Mortem aliquid ultra est: Vergil’s Underworld in Senecan Tragedy
Bill Gladhill, McGill University
9. Servius on Sinners and Punishments in Vergil’s Underworld
Fabio Stok, University of Rome Tor Vergata
10. Paradise and Performance in Vergil’s Underworld and Horace’s Carmen
Saeculare
Lauren Curtis, Bard College
11. Why isn’t Homer in Virgil’s Underworld? - and Other Notable
Absences
Emily Gowers, University of Cambridge
12. The Silence of Aeneid 6 in Augustine’s Confessions
Jacob L. Mackey, Occidental College
13. Spiritualism as Textual Practice
Grant Parker, Stanford University
College
1. Into the Woods
Alessandro Barchiesi, New York University
2. Statius’ Walking in Vergil’s Footsteps
Emily Pillinger, King’s College London
3. The Sibyl’s Cave and Visions of the Future
Maggie Kilgour, McGill University
4. Exploring the Forests of Antiquity: The Golden Bough in Early Modern
Literature
Matteo Soranzo, McGill University
5. Aeneas’ Steps
Miguel Herrero de Jáuregui, Universidad Complutense de Madrid
6. Vergil’s Underworld and the Afterlife of Love Poets
Micah Y. Myers, Kenyon College
7. Vergilian Underworlds in Ovid
Alison Keith, University of Toronto
8. Mortem aliquid ultra est: Vergil’s Underworld in Senecan Tragedy
Bill Gladhill, McGill University
9. Servius on Sinners and Punishments in Vergil’s Underworld
Fabio Stok, University of Rome Tor Vergata
10. Paradise and Performance in Vergil’s Underworld and Horace’s Carmen
Saeculare
Lauren Curtis, Bard College
11. Why isn’t Homer in Virgil’s Underworld? - and Other Notable
Absences
Emily Gowers, University of Cambridge
12. The Silence of Aeneid 6 in Augustine’s Confessions
Jacob L. Mackey, Occidental College
13. Spiritualism as Textual Practice
Grant Parker, Stanford University
Introduction: Bill Gladhill, McGill University, and Micah Myers, Kenyon
College
1. Into the Woods
Alessandro Barchiesi, New York University
2. Statius’ Walking in Vergil’s Footsteps
Emily Pillinger, King’s College London
3. The Sibyl’s Cave and Visions of the Future
Maggie Kilgour, McGill University
4. Exploring the Forests of Antiquity: The Golden Bough in Early Modern
Literature
Matteo Soranzo, McGill University
5. Aeneas’ Steps
Miguel Herrero de Jáuregui, Universidad Complutense de Madrid
6. Vergil’s Underworld and the Afterlife of Love Poets
Micah Y. Myers, Kenyon College
7. Vergilian Underworlds in Ovid
Alison Keith, University of Toronto
8. Mortem aliquid ultra est: Vergil’s Underworld in Senecan Tragedy
Bill Gladhill, McGill University
9. Servius on Sinners and Punishments in Vergil’s Underworld
Fabio Stok, University of Rome Tor Vergata
10. Paradise and Performance in Vergil’s Underworld and Horace’s Carmen
Saeculare
Lauren Curtis, Bard College
11. Why isn’t Homer in Virgil’s Underworld? - and Other Notable
Absences
Emily Gowers, University of Cambridge
12. The Silence of Aeneid 6 in Augustine’s Confessions
Jacob L. Mackey, Occidental College
13. Spiritualism as Textual Practice
Grant Parker, Stanford University
College
1. Into the Woods
Alessandro Barchiesi, New York University
2. Statius’ Walking in Vergil’s Footsteps
Emily Pillinger, King’s College London
3. The Sibyl’s Cave and Visions of the Future
Maggie Kilgour, McGill University
4. Exploring the Forests of Antiquity: The Golden Bough in Early Modern
Literature
Matteo Soranzo, McGill University
5. Aeneas’ Steps
Miguel Herrero de Jáuregui, Universidad Complutense de Madrid
6. Vergil’s Underworld and the Afterlife of Love Poets
Micah Y. Myers, Kenyon College
7. Vergilian Underworlds in Ovid
Alison Keith, University of Toronto
8. Mortem aliquid ultra est: Vergil’s Underworld in Senecan Tragedy
Bill Gladhill, McGill University
9. Servius on Sinners and Punishments in Vergil’s Underworld
Fabio Stok, University of Rome Tor Vergata
10. Paradise and Performance in Vergil’s Underworld and Horace’s Carmen
Saeculare
Lauren Curtis, Bard College
11. Why isn’t Homer in Virgil’s Underworld? - and Other Notable
Absences
Emily Gowers, University of Cambridge
12. The Silence of Aeneid 6 in Augustine’s Confessions
Jacob L. Mackey, Occidental College
13. Spiritualism as Textual Practice
Grant Parker, Stanford University