This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Part 1 Early Reviews; Chapter 1 Shaemas O Sheel from 'Chicago Poets and Poetry' Minaret; Chapter 2 Anonymous from the New York Times; Chapter 3 Ralph Block from 'The Wisconsin Players Now at the Neighborhood Playhouse' New York Tribune; Chapter 4 Conrad Aiken on Stevens' 'delicate originality' of mind from Scepticisms: Notes on Contemporary Poetry; Chapter 5 Carl Sandburg from a letter to Louis Untermeyer about The New Era in American Poetry; Chapter 6 Conrad Aiken on Stevens and the sociological-nationalistic view of poetry New Republic; Chapter 7 Harriet Monroe from 'Mr. Yeats and the Poetic Drama' Poetry; Chapter 8 Yvor Winters from'A Cool Master' Poetry; Part 2 Harmonium; Chapter 9 Mark Van Doren 'Poets and Wits' Nation; Chapter 10 Matthew Josephson on 'an extraordinary personality' Broom; Chapter 11 Marjorie Allen Seiffert from 'The Intellectual Tropics' Poetry; Chapter 12 John Gould Fletcher from 'The Revival of Estheticism' Freeman; Chapter 13 Marianne Moore 'Well Moused Lion' Dial; Chapter 14 Allen Tate on Wallace Stevens as 'radical' Nashville Tennessean; Chapter 15 Harriet Monroe on 'a flavorously original poetic personality' Poetry; Chapter 16 Edmund Wilson on Stevens' lack of emotion New Republic; Chapter 17 Llewelyn Powys 'The Thirteenth Way' Dial; Chapter 18 Louis Untermeyer on 'a reticence which results in determined obscurity' Yale Review; Chapter 19 Paul Rosenfeld on 'Another Pierrot' from Men Seen - Twenty-Four Modern Authors; Chapter 20 Gorham B. Munson 'The Dandyism of Wallace Stevens' Dial; Chapter 21 Allen Tate on Stevens' underlying Puritanism from 'American Poetry Since 1920' Bookman; Chapter 22 Alfred Kreymborg on Stevens as one of the 'Originals and Eccentrics' from Our Singing Strength; Part 3 Harmonium; Chapter 23 Conrad Aiken on Stevens as humorist from a letter to R.P. Blackmur; Chapter 24 Percy Hutchison 'Pure Poetry and Mr. Wallace Stevens' New York Times Book Review; Chapter 25 Eda Lou
Part 1 Early Reviews; Chapter 1 Shaemas O Sheel from 'Chicago Poets and Poetry' Minaret; Chapter 2 Anonymous from the New York Times; Chapter 3 Ralph Block from 'The Wisconsin Players Now at the Neighborhood Playhouse' New York Tribune; Chapter 4 Conrad Aiken on Stevens' 'delicate originality' of mind from Scepticisms: Notes on Contemporary Poetry; Chapter 5 Carl Sandburg from a letter to Louis Untermeyer about The New Era in American Poetry; Chapter 6 Conrad Aiken on Stevens and the sociological-nationalistic view of poetry New Republic; Chapter 7 Harriet Monroe from 'Mr. Yeats and the Poetic Drama' Poetry; Chapter 8 Yvor Winters from'A Cool Master' Poetry; Part 2 Harmonium; Chapter 9 Mark Van Doren 'Poets and Wits' Nation; Chapter 10 Matthew Josephson on 'an extraordinary personality' Broom; Chapter 11 Marjorie Allen Seiffert from 'The Intellectual Tropics' Poetry; Chapter 12 John Gould Fletcher from 'The Revival of Estheticism' Freeman; Chapter 13 Marianne Moore 'Well Moused Lion' Dial; Chapter 14 Allen Tate on Wallace Stevens as 'radical' Nashville Tennessean; Chapter 15 Harriet Monroe on 'a flavorously original poetic personality' Poetry; Chapter 16 Edmund Wilson on Stevens' lack of emotion New Republic; Chapter 17 Llewelyn Powys 'The Thirteenth Way' Dial; Chapter 18 Louis Untermeyer on 'a reticence which results in determined obscurity' Yale Review; Chapter 19 Paul Rosenfeld on 'Another Pierrot' from Men Seen - Twenty-Four Modern Authors; Chapter 20 Gorham B. Munson 'The Dandyism of Wallace Stevens' Dial; Chapter 21 Allen Tate on Stevens' underlying Puritanism from 'American Poetry Since 1920' Bookman; Chapter 22 Alfred Kreymborg on Stevens as one of the 'Originals and Eccentrics' from Our Singing Strength; Part 3 Harmonium; Chapter 23 Conrad Aiken on Stevens as humorist from a letter to R.P. Blackmur; Chapter 24 Percy Hutchison 'Pure Poetry and Mr. Wallace Stevens' New York Times Book Review; Chapter 25 Eda Lou
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