Preface List of contributors Part I. Stevens in Context: 1. Stevens and Williams: The epistemology of Modernism Albert Gelpi 2. Stevens without epistemology Gerald L. Bruns 3. Revolving in crystal: the supreme fiction and the impasse of modernist lyric Marjorie Perloff 4. Effects of an analogy: Wallace Stevens and painting Bonnie Costello 5. Why Stevens must be abstract, or what a poet can learn from painting Charles Altieri Part II. Stevens as Context: 6. The 'Community of Elements' in Wallace Stevens and Louis Zukofsky Alan Golding 7. Notes beyond the Notes: Wallace Stevens and contemporary poetics Michael Davidson Index.
Preface List of contributors Part I. Stevens in Context: 1. Stevens and Williams: The epistemology of Modernism Albert Gelpi 2. Stevens without epistemology Gerald L. Bruns 3. Revolving in crystal: the supreme fiction and the impasse of modernist lyric Marjorie Perloff 4. Effects of an analogy: Wallace Stevens and painting Bonnie Costello 5. Why Stevens must be abstract, or what a poet can learn from painting Charles Altieri Part II. Stevens as Context: 6. The 'Community of Elements' in Wallace Stevens and Louis Zukofsky Alan Golding 7. Notes beyond the Notes: Wallace Stevens and contemporary poetics Michael Davidson Index.
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