This new publication is the culmination of Bailyâ s further research on Afghan music over the last 35 years. Arranged chronologically, the narrative traces the sequence of political events - from 1978, through the Soviet invasion, to the coming of the Taliban and, finally, the aftermath of the US-led invasion in 2001. He examines the effects of t
This new publication is the culmination of Bailyâ s further research on Afghan music over the last 35 years. Arranged chronologically, the narrative traces the sequence of political events - from 1978, through the Soviet invasion, to the coming of the Taliban and, finally, the aftermath of the US-led invasion in 2001. He examines the effects of t
John Baily is Emeritus Professor of Ethnomusicology at Goldsmiths, University of London. He holds doctorates in experimental psychology and ethnomusicology, and is trained in anthropological filmmaking. Baily has taught at The Queen's University of Belfast, Columbia University and Goldsmiths; most of his research has been on the music of Afghanistan.
Inhaltsangabe
Contents: Introduction Before the communist coup of 1978 The jihâd (holy war) era The mujahideen parties come to power Taliban times Kabul after the Taliban The global circulation of Afghanistan's music The summing up Glossary of musical instruments Bibliography Index.
Contents: Introduction Before the communist coup of 1978 The jihâd (holy war) era The mujahideen parties come to power Taliban times Kabul after the Taliban The global circulation of Afghanistan's music The summing up Glossary of musical instruments Bibliography Index.
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