"This is the first sustained study of how Shakespeare has been mobilized during conflicts spanning the eighteenth to the twenty-first century. It draws on interdisciplinary research to develop an innovative critical methodology that reveals the creativity and diversity of wartime theatre production and its variable impacts"--
"This is the first sustained study of how Shakespeare has been mobilized during conflicts spanning the eighteenth to the twenty-first century. It draws on interdisciplinary research to develop an innovative critical methodology that reveals the creativity and diversity of wartime theatre production and its variable impacts"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Amy Lidster is Departmental Lecturer in English Literature at the University of Oxford. She is the author of Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre (Cambridge University Press, 2022) and Authorships and Authority in Early Modern Dramatic Paratexts (forthcoming). She is co-editor of Shakespeare at War: A Material History (Cambridge University Press, 2023).
Inhaltsangabe
Introduction: a history of wartime production and reception; Part I: 1. Royal Shakespeare: Commemorating conflict during the Seven Years' War (1756-63); 2. Shakespeare as propaganda: British military performances during the American revolutionary war (1775-83); 3. 'Patriotic' Shakespeare and dialectics of conflict during the French revolutionary-Napoleonic wars (1792-1815); Interlude. Nostalgia, nation building and the Russian war (1853-56); Part 2: 4. Fragmenting Shakespeare(s) and the first world war (1914-18); 5. 'What we are fighting for': the state mobilization of Shakespeare during the second world war (1939-45); 6. 'Anti-war' Shakespeare: just war theory, sponsorship, and the impact of theatre during the Iraq war (2003-11); Conclusion: wartime Shakespeare - 'a playable surface'.
Introduction: a history of wartime production and reception; Part I: 1. Royal Shakespeare: Commemorating conflict during the Seven Years' War (1756-63); 2. Shakespeare as propaganda: British military performances during the American revolutionary war (1775-83); 3. 'Patriotic' Shakespeare and dialectics of conflict during the French revolutionary-Napoleonic wars (1792-1815); Interlude. Nostalgia, nation building and the Russian war (1853-56); Part 2: 4. Fragmenting Shakespeare(s) and the first world war (1914-18); 5. 'What we are fighting for': the state mobilization of Shakespeare during the second world war (1939-45); 6. 'Anti-war' Shakespeare: just war theory, sponsorship, and the impact of theatre during the Iraq war (2003-11); Conclusion: wartime Shakespeare - 'a playable surface'.
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