Watching Weimar Dance historicizes and theorizes the spectatorship of dances in and from interwar Germany - at home, on tour, and later returning from exile - developing a culturally-situated model of watching that not only offers a revisionist historical narrative, but also demonstrates new methods for dance scholarship to shape cultural history.
Watching Weimar Dance historicizes and theorizes the spectatorship of dances in and from interwar Germany - at home, on tour, and later returning from exile - developing a culturally-situated model of watching that not only offers a revisionist historical narrative, but also demonstrates new methods for dance scholarship to shape cultural history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kate Elswit is Reader in Theatre and Performance at the Royal Central School of Speech and Drama, University of London. She is winner of the Oscar G. Brockett Book Prize for Dance Research, the Gertrude Lippincott Award, the Biennial Sally Banes Publication Prize, and honorable mention for the Callaway Prize, and her work has been funded by sources including a Mellon postdoctoral fellowship at Stanford University and the Lilian Karina Research Grant in Dance and Politics. She also works as a choregrapher, dramaturg, and curator.
Inhaltsangabe
Acknowledgements Introduction 1. Impossible Spectacles: Death, Dance, and Direct Expression 2. Imagining the Dancing Machine 3. Three Stories about Private Parts 4. The Politics of Watching: Staging Sacrifice Across the Atlantic 5. Watching After Weimar Coda Index
Acknowledgements Introduction 1. Impossible Spectacles: Death, Dance, and Direct Expression 2. Imagining the Dancing Machine 3. Three Stories about Private Parts 4. The Politics of Watching: Staging Sacrifice Across the Atlantic 5. Watching After Weimar Coda Index
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