It is water Dwynwen lifted in her cup of silver. Water, too, the Lady Luned uses in her scrying bowl. And it is over water one must travel to resolve an old conflict. Set high upon its seaside cliff, the hall of Kilton is racked by inner turmoil. Ceric, on the margin of sanity, finds strength and even bliss returning to him. But it is not without price, as his young brother Edwin, Lord of Kilton, grasps for a possession he never fully won. Hrald is called to Witanceaster by King Ælfred himself, and there awarded a rare prize. A chance meeting in the King's hall proves more Fate-ful than the…mehr
It is water Dwynwen lifted in her cup of silver. Water, too, the Lady Luned uses in her scrying bowl. And it is over water one must travel to resolve an old conflict. Set high upon its seaside cliff, the hall of Kilton is racked by inner turmoil. Ceric, on the margin of sanity, finds strength and even bliss returning to him. But it is not without price, as his young brother Edwin, Lord of Kilton, grasps for a possession he never fully won. Hrald is called to Witanceaster by King Ælfred himself, and there awarded a rare prize. A chance meeting in the King's hall proves more Fate-ful than the young Jarl of Four Stones could have ever imagined - and the one challenge he cannot overcome. The King's bailiff, Raedwulf, brings Lady Ælfwyn to his hall in Defenas, where a new life awaits. With them travels her small grandson, Cerd, and her youngest daughter, Ealhswith. Now of marriageable age, Ealhswith yearns for confidence and direction in her life. On Gotland, the peace and security of Tyrsborg is fractured as Sidroc and Ceridwen are abruptly forced to confront their past actions. Unexpected alliances and daring risks... all are Water Borne.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
I write the kind of book I want to read myself. I write about history as a way to better understand my own times. I write about people who are far better, and (I hope) far worse than myself. And beautiful objects inspire me: the hand-carved combs, skilfully wrought swords, and gemmed goblets of the world of The Circle of Ceridwen Saga. Almost everything interests me; I've studied Anglo-Saxon and Norse runes, and learnt to spin with a drop spindle. My path has led to extensive on-site research in England, Denmark, Sweden, Iceland, and Gotland - some of the most wonderful places on Earth. In addition to the Circle Saga, I am also the author of Light, Descending, a biographical novel of the great 19th century art and social critic John Ruskin: Ride, a retelling of the story of Lady Godiva; and The Tale of Melkorka, taken from the Icelandic Sagas. I've been the fortunate recipient of Artistic Fellowships at the Ingmar Bergman Estate, Fårö; MacDowell; Ledig House International; and Byrdcliffe.
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