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New terrain is marked in Frieda Hughes's brilliant new collection, Waxworks. In it, Hughes has conceived and created a kind of poetic wax museum. She peoples it with figures from myth and legend, the Bible and world history, the famous and the infamous. Diverse personalities, such as Rasputin and Cinderella, Medea and Lazarus, Houdini and Lady Macbeth, have been reborn of their old selves in Waxworks. Hughes imbues them with new life in contemporary terms; they experience the universal truths of love and pain and vanity that affect us all. As this volume proves, Hughes never flinches from…mehr

Produktbeschreibung
New terrain is marked in Frieda Hughes's brilliant new collection, Waxworks. In it, Hughes has conceived and created a kind of poetic wax museum. She peoples it with figures from myth and legend, the Bible and world history, the famous and the infamous. Diverse personalities, such as Rasputin and Cinderella, Medea and Lazarus, Houdini and Lady Macbeth, have been reborn of their old selves in Waxworks. Hughes imbues them with new life in contemporary terms; they experience the universal truths of love and pain and vanity that affect us all. As this volume proves, Hughes never flinches from difficult subjects and experiences. Like Wooroloo, Frieda Hughes's debut collection, the poems of Waxworks will haunt a reader's imagination.
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Autorenporträt
Born in London in 1960, Frieda Hughes is a painter and poet. She has also written children's books, and was The Times (London) poetry columnist from 2006 to 2008. Frieda's first collection of poetry, Wooroloo, was named after the hamlet in western Australia where she lived during the 1990s. Other collections followed: Stonepicker; Waxworks; Forty-five, a collection of autobiographical poems based on her life to the age of forty-five; The Book of Mirrors; and Alternative Values. In this last book, Frieda used the subject of her poems to inform the accompanying abstract images?painted in oils on canvas?combining the two driving forces in her life. Her poems have also appeared in The New Yorker, The Paris Review, The London Magazine, The Times (London), and The Spectator (London). Frieda resides in Wales with owls and motorbikes.