We Are the Flood - Cagol, Stefano
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Triggering "very progressive eco art," as Timothy Morton defines it, Stefano Cagol has conducted an extensive multi-site project in the four corners of the Earth, between deserts, primordial jungles, indigenous peoples and millenary icebergs, looking back to the far before us and thinking about the after. Video images have emerged from research and creation expeditions through a method of serial performances in total solitude, reflecting on the multitudes, in dialogue and interaction with nature. "I represent a shrewd humanity, contemplating resistant pieces of paradise and playing between…mehr

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Triggering "very progressive eco art," as Timothy Morton defines it, Stefano Cagol has conducted an extensive multi-site project in the four corners of the Earth, between deserts, primordial jungles, indigenous peoples and millenary icebergs, looking back to the far before us and thinking about the after. Video images have emerged from research and creation expeditions through a method of serial performances in total solitude, reflecting on the multitudes, in dialogue and interaction with nature. "I represent a shrewd humanity, contemplating resistant pieces of paradise and playing between balance and a devastating impact," Cagol states, recounting rituals that are a bit mystical and shamanic, a bit punk and exorcising. With a smoke bomb in one hand and a sophisticated drone remote control in the other. ___ Con saggi di / with essays by: Timothy Morton, Francesca Guerisoli, Andreas Hoffmann, Nur Hanim Mohamed Khairuddin, Shaarbek Amankul, Carlo Maiolini, Patrizia Famà. ___ Dando vita a "una eco arte davvero progressiva", come la definisce Timothy Morton, Stefano Cagol ha condotto un esteso progetto multi-sito ai quattro angoli della Terra, tra deserti, giungle primordiali, popoli indigeni e iceberg millenari, guardando al molto prima di noi e pensando al dopo. Immagini video sono scaturite da spedizioni di ricerca e creazione attraverso un metodo fatto di performance seriali in totale solitudine, riflettendo sulle moltitudini, in dialogo e interazione con la natura. "Rappresento un'umanità scaltra, che contempla pezzi resistenti di paradiso e gioca tra equilibrio e un impatto devastante", spiega Cagol, raccontando rituali un po' mistici e sciamanici, un po' punk ed esorcizzanti. Con un fumogeno in una mano e un sofisticato sistema di controllo per drone nell'altra.
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